1.0LIAhttps://liap.euadminhttps://liap.eu/index.php/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="niASopwrdW"><a href="https://liap.eu/index.php/2017/03/29/daniel-lannes-2/">Daniel Lannes</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://liap.eu/index.php/2017/03/29/daniel-lannes-2/embed/#?secret=niASopwrdW" width="600" height="338" title="“Daniel Lannes” — LIA" data-secret="niASopwrdW" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> https://liap.eu/wp-content/uploads/2017/03/Daniel-Lannes.jpeg900600www.daniellannes.com Daniel Lannes Pereira Born in Niterói, RJ, 1981 Lives and Works in Rio de Janeiro The pictorial realism of  Daniel Lannes’ work mix up the mood of the Brazilian customs leisure and the advertising figures. The artist uses metalinguistic representation of the artwork in its consecration context and merges the typical folk with pop…Continue readingDaniel Lannes