1.0LIAhttps://liap.euLIAhttps://liap.eu/index.php/author/bierau/rich600338<blockquote class="wp-embedded-content" data-secret="7lwpNUiofQ"><a href="https://liap.eu/index.php/2026/10/07/matijs-van-de-kerkhof/">Matijs van de Kerkhof</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://liap.eu/index.php/2026/10/07/matijs-van-de-kerkhof/embed/#?secret=7lwpNUiofQ" width="600" height="338" title="“Matijs van de Kerkhof” — LIA" data-secret="7lwpNUiofQ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://liap.eu/wp-includes/js/wp-embed.min.js </script> https://liap.eu/wp-content/uploads/2026/10/IMG_7234-2.heic11Term: Oct-Nov 2026 Matijs van de Kerkhof (1977, Nuenen, The Netherlands) His practice investigates the friction between the art historical canon, contemporary visual culture, and the uncanny nature of memory and mortality. Today’s consciousness is non-linear. We digest seventeenth-century Baroque drama, nineteen-fifties Abstract Expressionist rage, and nineteen-seventies conceptual minimalism simultaneously within seconds.Rooted in traditional techniques—from…Continue readingMatijs van de Kerkhof