{"id":1794,"date":"2017-03-29T11:58:40","date_gmt":"2017-03-29T09:58:40","guid":{"rendered":"http:\/\/liap.eu\/?p=1794"},"modified":"2017-03-29T11:58:40","modified_gmt":"2017-03-29T09:58:40","slug":"jahnne-pasco-white-2","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2017\/03\/29\/jahnne-pasco-white-2\/","title":{"rendered":"Jahnne Pasco-White"},"content":{"rendered":"<p><a href=\"http:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Jahnne-Pasco-White.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1791 alignnone\" src=\"http:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Jahnne-Pasco-White-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Jahnne-Pasco-White-300x225.jpeg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Jahnne-Pasco-White-334x250.jpeg 334w, https:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Jahnne-Pasco-White.jpeg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/jahnnepascowhite.com\" target=\"_blank\">jahnnepascowhite.com<\/a><\/p>\n<p>Locating the central component of her practice in painting, Jahnne has come to consider how previous experience of working with site and installation has come to inform her approach. Entering into making paintings from this minor or external position, her aim is to emphasise this exteriority as having its own language that also can enable latent possibilities to emerge. There is a slippage that occurs between my engagement with the exterior environment, of looking and gathering to that of the studio; a condensed and focused space. Using collected materials, often previously discarded, they fuse together on various plains within the cohabitation of the studio to create something new. The studio facilitates the process of addition, the collection from outside, to amalgamate into a surface. In the studio, surface is the main frame to compose material and fabrics. Through an intuitive process of mark making and gesture a language of painting emerges.<\/p>\n<p><strong>Selected Solo Exhibitions<\/strong><br \/>\n2015<br \/>\nYOU ATE THE FULL COLOUR PHOTO OF PLUMS: Long Division Gallery, Collingwood<br \/>\nOIL COTTON WAX, Diane Singer, Melbourne<br \/>\nBLUE PLASTIC, Zeppellin Projects, Brunswick<br \/>\nORANGE PLASTIC: Weinman-Scida Project Space, Victorian College of the Arts, Melbourne<br \/>\nPRACTICING VARIOUS ALTERATIONS: Testing Grounds, an Arts Victoria initiative, coordinated by These are The Projects we do together, Melbourne<\/p>\n<p>2014<br \/>\nDOUBLE BED SHEET: Brunswick Lake<br \/>\nA SURFACE TO CUT PAPER ON, OTHER THAN THE FLOOR: Artspace, Auckland, New Zealand<br \/>\nNEGOTIATING EXISTING SURROUNDINGS: Bus Projects, Melbourne<\/p>\n<p><strong>Selected Group Exhibitions<\/strong><br \/>\nDaine Singer at Spring Art Fair: Sydney, 2015<br \/>\nBRUNSWICK SCULPTURE CENTRE INAUGURAL EXHIBITION: Brunswick Sculpture Centre, Melbourne<br \/>\nStudent Gallery, Victorian College of the Arts, Southbank, Melbourne<\/p>\n<p>2014<br \/>\n4&#215;10:performance with Arini Byng, Slopes, Melbourne<br \/>\nMAKING DO with Xin Cheng Chris and Burnstene, Artspace, Auckland, New Zealand<br \/>\nDAS BOOT: Next Wave Festival, Melbourne, Australia<\/p>\n<p>2013<br \/>\nA PLACE TO ASSEMBLE: Nes Artist Residency, Skagastrond, Iceland<br \/>\nWAYS OF OPERATING: Rearview, Melbourne<br \/>\nCHIMNEY PIECE with Jen Reimer and Max Stein (Cananda), Summer We Go Public Program, Iceland<\/p>\n<p>2012<br \/>\nLOCATING POSSIBLE TRAJECTORIES: 910 Lofts, Brooklyn, New York<br \/>\nKNOWING ME, KNOWING YOU with inner course, Pulse Art Fair, Chelsea, New York<\/p>\n<p>2011<br \/>\nPANTIES FOR DIAMONDS: curated by Thomas Beale, Honey Space, Chelsea, New York<br \/>\nMOVEMENTS WE MAKE ALL THE TIME: Counihan Gallery, Melbourne<\/p>\n<p><strong>Residencies<\/strong><br \/>\nLeipzig International Art Programme, Germany, Feb-March 2016<br \/>\nTesting Grounds, an Arts Victoria initiative, coordinated by These are The Projects we do together, Melbourne City, 2015<br \/>\nArtspace Studio Exhibition Residency, Auckland, New Zealand, 2014<br \/>\nNes Artist Residency,2 month residency, Skagastr\u00f6nd, Iceland, 2013<br \/>\nRome Art Program,1 month residency, Rome, Italy, June, 2010.<\/p>\n<p><strong>Grants \/ Awards \/ Other<\/strong><br \/>\nARTS VICTORIA project grant, 2015<br \/>\nNAVA Australian Artist Grant, 2014<br \/>\nARTS VICTORIA Cultural Exchange grant for NES artist residency, 2013<br \/>\nScholarship received from Metasenta, for Rome Art Program, Rome, 2010<br \/>\nStudent Development Fund received from RMIT for Rome Residency, 2010<br \/>\nRMIT Union Arts Funding, 2010<br \/>\nCo-founder of BRUNSWICK LAKE an independent project space. 2014-15<\/p>\n<p><strong>Publications<\/strong><br \/>\nMAKING DO with Xin Cheng and Chris Burnstene ,Artspace Publication, officially launched at the<br \/>\nAuckland Zine fest, Auckland, New Zealand, 2014<br \/>\nA SURFACE TO CUT PAPER ON, OTHER THAN THE FLOOR catalogue, Artspace, Auckland, New Zealand, May 2014<\/p>\n<p><strong>Education<\/strong><br \/>\nBachelor of Fine Art, First Class Honours, Victorian College of the Arts, 2015<br \/>\nBachelor of Fine Art (Drawing),Royal Melbourne Institute of Technology,2010<\/p>\n","protected":false},"excerpt":{"rendered":"<p>jahnnepascowhite.com Locating the central component of her practice in painting, Jahnne has come to consider how previous experience of working with site and installation has come to inform her approach. Entering into making paintings from this minor or external position, her aim is to emphasise this exteriority as having its own language that also can&hellip;<a href=\"https:\/\/liap.eu\/index.php\/2017\/03\/29\/jahnne-pasco-white-2\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Jahnne Pasco-White<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":1791,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-1794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-2016","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jahnne Pasco-White - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2017\/03\/29\/jahnne-pasco-white-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jahnne Pasco-White - LIA\" \/>\n<meta property=\"og:description\" content=\"jahnnepascowhite.com Locating the central component of her practice in painting, Jahnne has come to consider how previous experience of working with site and installation has come to inform her approach. 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Entering into making paintings from this minor or external position, her aim is to emphasise this exteriority as having its own language that also can&hellip;Continue&hellip;","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/1794"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=1794"}],"version-history":[{"count":1,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/1794\/revisions"}],"predecessor-version":[{"id":1795,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/1794\/revisions\/1795"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/1791"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=1794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=1794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=1794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}