{"id":1796,"date":"2017-03-29T12:14:08","date_gmt":"2017-03-29T10:14:08","guid":{"rendered":"http:\/\/liap.eu\/?p=1796"},"modified":"2017-03-29T12:14:08","modified_gmt":"2017-03-29T10:14:08","slug":"madeleine-kelly","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2017\/03\/29\/madeleine-kelly\/","title":{"rendered":"Madeleine Kelly"},"content":{"rendered":"

\"\"<\/a><\/p>\n

www.madeleinekelly.com.au<\/a><\/p>\n

German-born Madeleine Kelly, who arrived in Australia in 1980, is a visual artist who primarily works in painting. She majored with 1st class Honours in Fine Art from the Queensland College of Art, Griffith University in 1999, and her practice-led PhD was conferred by the same institution in 2013. Titled Picturing Archaeologies: The Meta-archaic aesthetic, Kelly\u2019s dissertation examines the archaeological metaphor as an image-laden and mutable terrain. In particular, she engages \u2013 not without irony \u2013 with the descriptive capacity of Philosopher Michel Foucault\u2019s archaeology of knowledge. Her creative work explores the materiality of images \u2013 in particular painting, as an earthen testimony figured from the ground that speaks of the primal frontiers of art, such as material transformation, as well as environmental contingencies. In this context, her work avoids dogmatism by depicting protean and rubric worlds.<\/p>\n

Madeleine Kelly has been invited to exhibit in both public and private spaces, including GOMA Q: Contemporary Queensland Art 2015 curated by Peter McKay at the Queensland Art Gallery\/Gallery of Modern Art, QLD and Primavera 2005 curated by Felicity Fenner at the Museum of Contemporary Art, Sydney. She has won several awards including the Melville Haysom Memorial Art Scholarship, and the 2004 Churchie Prize for Emerging Art. In 2005 she was the recipient of the Australia Council\u2019s Paris Studio Residency, and in 2011 she received an Australia Council established artist\u2019s grant for New Work. Her works have entered many public collections in Australia, including The Gallery of Modern Art\/Queensland Art Gallery and several permanent university collections. She currently lives and works in Wollongong and lectures in painting at the University of Wollongong, NSW, Australia.<\/p>\n

Tertiary Education<\/strong>
\n2013
\nPhD, Queensland College of Art, Griffith University<\/p>\n

2001
\nBachelor of Secondary Education, Griffith University<\/p>\n

1999
\nBachelor of Visual Arts with First Class Honours in Fine Art, Queensland College of Art, Griffith University<\/p>\n

Awards, Prizes and Grants<\/strong>
\n2014
\nGlobal Challenges Seed Funding Grant Paint Analysis Using Terahertz Spectroscopy (PAUTS) Roger Lewis (Chief Investigator), Madeleine Kelly, Stephen van Duin, Adam Trevitt ($14 398)<\/p>\n

2011
\nAustralia Council New Work Established Grant ($20 000)<\/p>\n

2007
\nArtist in residence, Gadens Lawyers, Brisbane ($9000)
\nArts Queensland Project Grant ($3500)<\/p>\n

2006
\nMetro Arts Artist in Residence (March \u2013 October 2006)<\/p>\n

2004
\nAustralia Council Arts and Crafts Paris Studio Residency Grant ($10 000)
\nWinner, Churchie Exhibition of Emerging Art ($5000) Judge: Dr Rex Butler 2003 Arts Queensland Project Grant ($5000)<\/p>\n

2001
\nArts Queensland Project Grant ($2700)<\/p>\n

1998
\nMelville Haysom Memorial Art Scholarship, Queensland Art Gallery (Studio Residency from 20 August \u2013 20 December 1999)<\/p>\n

Employment<\/strong>
\n2013
\nLecturer in Painting, Faculty of Law, Humanities and the Arts, University of Wollongong<\/p>\n

2004 \u2013 2012
\nPart time lecturer, Painting Department, Queensland College of Art, Griffith University<\/p>\n

2010
\nArt teacher, Brisbane Girl\u2019s Grammar, Queensland (two weeks 31 May to 3 June)<\/p>\n

2002 \u2013 2004
\nArt teacher, Bracken Ridge State High School, QLD<\/p>\n

2000 \u2013 2001
\nTutor for ATAS (Aboriginal and Torres Strait Islander Tutorial Assistance Scheme), Griffith University<\/p>\n

Solo Exhibitions<\/strong>
\n2013
\nThe Surface of Language, Griffith University Webb Gallery, Brisbane, QLD.
\nPicturing Archaeologies, Griffith University White Box Gallery, Brisbane, QLD.<\/p>\n

2011
\nHollow Mark, Griffith University Art Gallery, Brisbane, QLD, curated by Simon Wright, essay by Abigail Fitzgibbons.<\/p>\n

2010
\nThe Crevice, Milani Gallery, Brisbane, QLD, Australia<\/p>\n

2008
\nHeavy Heavenly Bodies, Milani Gallery, Brisbane, QLD, Australia<\/p>\n

2007
\nDreams of Utopia, Gadens Lawyers, Brisbane, QLD, Australia<\/p>\n

2006
\nThe Elephants\u2019 Shelter, May, Bellas Milani Gallery, Brisbane, QLD, Australia<\/p>\n

2005
\nBetween expansion and collapse, April, Bellas Milani Gallery, Brisbane, QLD, Australia<\/p>\n

2003
\nPursuit of the Prizefighter, September, Soapbox Gallery, QLD, Australia.
\nGrounds for Entropy, August, Redlands Art Gallery, Redland Shire, QLD.
\nFossilphilia, March, Metro Arts, Brisbane, QLD, Australia<\/p>\n

2002
\nMnemonics, Queensland Performing Arts Complex, QLD, Australia<\/p>\n

2001
\nAnatomy of a Metaphor, Modus Studios, Fortitude Valley, QLD, Australia.<\/p>\n

1999
\nEclipse, Development Space, Metro Arts, QLD, Australia<\/p>\n

Group exhibitions<\/strong>
\n2015
\nGOMA Q, Queensland Art Gallery\/Gallery of Modern Art, Brisbane, QLD, curated by Peter McKay (11 July \u2013 11 October).<\/p>\n

Trace 2015, Biennial Exhibition and Art Auction in the streets of 4101, curated by Susan Ostling.<\/p>\n

2014
\nConquest of Space, UNSW Galleries, COFA, Sydney, NSW, curated by Andrew Frost;
\nProcessing, Alaska Projects, curated by Teo Treloar;
\nFractured Beauty, Wollongong City Gallery, Wollongong, NSW, curated by Louise Brand;
\n15 Artists, Redcliffe City Art Gallery, Redcliffe, QLD, judged by Timothy Morrell;
\nTools of the Trade, Juggler\u2019s Artspace, Brisbane , QLD, curated by Justin Jade Morgan and The Wandering Room;
\n63rd Blake Prize Exhibition, UNSW Galleries, COFA, Sydney, NSW, judged by Director of Artspace, Alexie Glass-Kantor, noted artist, Anne Ferran, and University of Sydney theologian, Dr Alex Norman.<\/p>\n

2011
\nTen Years of Contemporary Art: The James C Sourris Collection, Queensland Art Gallery\/Gallery of Modern Art, Brisbane, QLD, curatorial manager Julie Ewington.
\nNew Psychedelia, University of Queensland Art Museum, Brisbane, QLD, curated by Sebastian Moody.
\nAustralia Felix, Crane Arts Philadelphia, Philadelphia, USA, curated by Ross Woodrow.<\/p>\n

2010
\nThe Ipswich House: Heritage house portraits by contemporary Queensland Artists, Ipswich Art Gallery, Ipswich, QLD, curated by Michael Beckmann;
\nTiny Little Wonderful Worlds, Southbank Parklands, Brisbane, QLD, curated by Pat Hoffie;
\nBABELProjekt, Woodford Folk Festival, Woodford, QLD,curated by Pat Hoffie.
\nOther Misconceptions, Level Artspace, Brisbane, QLD, curated by Jo Di Ball; To Freeze, To Prick, To Cook, the Wandering Room at Melbourne Street, Brisbane, QLD, curated by the Wandering Room.<\/p>\n

2009
\nTemperature 2, Museum of Brisbane, curated by Frank Mc Bride, Brisbane, QLD.
\nThe Brisbane Line, The Narrows, Melbourne, VIC, curated by Ross Woodrow.<\/p>\n

2008
\nCarnivale Illuminata, Woodford Folk Festival, Woodford, QLD, curated by Pat Hoffie.
\nStan and Maureen Duke Art Prize, Gold Coast City Art Gallery, Gold Coast Arts Centre, QLD.<\/p>\n

2007
\nTwenty Twenty, Museum of Brisbane, Brisbane, QLD, curated by Frank Mc Bride;
\nVoiceless: I feel therefore I am, Sherman Galleries, Sydney, NSW, curated by Charles Green.<\/p>\n

2006
\nABN Amro Emerging Art Award, Finalists Exhibition, Sydney NSW.
\nColonial to Contemporary: Queensland College of Art 125 Years. A Contemporary Overview, Dell Gallery, Queensland College of Art, Griffith University, Brisbane, QLD, curated by Timothy Morrell.
\nPrimavera, Muswellbrook Regional Arts Centre, Muswellbrook, NSW, curated by Felicity Fenner.
\nAnimals and Allegory, QUT Art Museum, Brisbane, QLD, curated by Simone Jones.<\/p>\n

2005
\nPrimavera 2005: Exhibition by Young Australian Artists, Museum of Contemporary Art, Sydney, NSW, curated by Felicity Fenner.
\nArc Biennial, Lingua Franca Exhibition, Brisbane City Hall, Brisbane, QLD.
\nThe Sixth of May, Project gallery, Queensland College of Art, Brisbane, QLD.<\/p>\n

2004
\nBlur: Reality and Realism in Picture Making, Cleveland Gallery and Dell Gallery Brisbane, QLD, curated by Steven Alderton.
\nBrett Whiteley Traveling Art Scholarship Finalists Exhibition, Brett Whiteley Studios, Surry Hills, Sydney, NSW.
\nFlesh, Project gallery, Queensland College of Art, Brisbane, QLD.
\nA Place for Reflection, Redland Art Gallery, Cleveland, QLD.
\nChurchie Exhibition of Emerging Art, Anglican Church Grammar School, East Brisbane, QLD.<\/p>\n

Professional activities<\/strong>
\n2014
\n\u2018Splitting Primordial Identity and Dissembling Images\u2019, conference presentation, Conquest of Space Symposium, UNSW Galleries, COFA, Sydney NSW, delivered 14 June.
\nArtist talk, UNSW Galleries, COFA, Sydney NSW, delivered 4 June.<\/p>\n

2012
\nPanelist for \u2018Documenta 13 \u2013 a critical panel discussion\u2019, The Glasshouse, Creative Industries Prescient, Queensland University of Technology, delivered<\/p>\n

2011
\nArtist talk, Gallery of Modern Art, South Brisbane, QLD, delivered 4 December.
\n\u2018Early Years and primary: Imagination and Pretend worlds\u2019, lecture, Cinema B Gallery of Modern Art, South Brisbane, QLD, delivered 30 July.
\nArtist in resident, Brisbane State High School.
\nArtist talk Brisbane Boy\u2019s Grammar school.
\nAssistant Program Officer, Education & Curriculum Program coordinator for \u2018Art for our school\u2019 program coinciding with \u2018Surrealism: The Poetry of Dreams\u2019, workshop component Beenleigh State School;
\nJudge, Bellas Bursary, Brisbane State High School;
\nJudge, Creativo Arts Gala Martin Galleries<\/p>\n

2010
\nVisiting Artist for The Mekong River Project Children\u2019s Workshop, Kids APT Festival Queensland Art Gallery.
\nSelection committee for finalists for the Churchie Exhibition of Emerging Art;
\nJudge, junior category, Queensland Youth Art Awards, Brisbane Boy\u2019s Grammar School.
\nArtist in resident, Brisbane State High School.<\/p>\n

2008
\nArtist talk, \u2018I Love Art History\u2019 Lecture series, Gallery of Modern Art, South Brisbane, QLD, delivered 4 December.
\nSteering Committee and Panel Member, Metro Arts, Brisbane, QLD,
\nCreative Short Watercolour Course, Aug-Nov, Queensland College of Art, Griffith University; Curator: Undercurrent, QCA, GU open day exhibition.<\/p>\n

2006
\nArtist talk, lecture series, Queensland University of Technology Art Museum and Queensland College of Art, Dell Gallery
\nWorkshop Artist, Box City Installation, Queensland Art Gallery.
\nArtist talk, Brisbane Boys Grammar School.<\/p>\n

2005
\nArtist talk, \u2018Coolbytes Lecture Series\u2019, Queensland College of Art, Southbank and Gold Coast City Art Gallery.<\/p>\n

2004
\nEvent Coordinator for \u2018The Minister\u2019s Awards For Excellence in Art\u2019 for Education Queensland.<\/p>\n

Bibliography<\/strong>
\n2015
\nGathering as Usual 2010 Cover image, Mascara Literary Journal Issue 17 April 2015<\/p>\n

2014
\nBrand, L 2014, Fractured Beauty, exhibition catalogue, 13 September \u2013 26 October, Wollongong City Gallery, Wollongong, NSW.
\nFrost, A 2014, \u2018The Engine of Experience: Contemporary Art and SF\u2019, in Conquest of Space, exhibition catalogue, 22 May \u2013 5 July, UNSW Galleries, COFA, Sydney, NSW, pp.5-7.<\/p>\n

2013
\nMacLeod, B 2013, \u2018Profile: Madeleine Kelly\u2019, in Artist Profile, no.25, pp.52-55.
\nMcFarlane, H 2013, \u2018Brisbane Gallery Hop\u2019, Artlink, vol.33, no.4, p.95.
\nButler, R 2013, \u2018The QCA School\u2019, Art Monthly Australia, no.257, pp.40-43.<\/p>\n

2012
\nMorrell, T 2012, \u2018The James C. Sourris A.M. collection\u2019, in Artlink, vol.32, no.1, p.95.
\nKirker, A 2012, \u2018The Woman Question, Surrealism: The Poetry of Dreams, Gallery of Modern Art, Brisbane, 11 June – 2 October 2011\u2019, in Eyeline, no.76, online review, accessed 20\/01\/15.<\/p>\n

2011
\nRichards, B 2011, \u2018Emerging artists the Current Crop\u2019, in Ewington, J. & Queensland Art Gallery 2011, Ten years of contemporary art: the James C Sourris AM collection, Queensland Art Gallery, 12 November \u2013 19 February, South Brisbane, QLD, pp.97-117.
\nFitzgibbons, A 2011, \u2018An Alchemy of Reflection\u2019, in Hollow Mark, exhibition catalogue, 7 October \u2013 13 November, pp.4-7.
\nKelly, M 2011, \u2018Dream Weapon\u2019, reproduction of painting, Oculus: Postgraduate Journal for Visual Arts Research, no.3, pp.52\u20133.<\/p>\n

2010
\nFitzgibbons, A 2010, \u2018Madeleine Kelly, The Crevice\u2019, Artlink, vol.30, no.4, p.85.
\nStewart, K 2010, \u2018Fairy Knoll: Madeleine Kelly\u2019, in The Ipswich House: Heritage house portraits by contemporary Queensland artists, exhibition catalogue, 11 September \u2013 14 November, Ipswich Art Gallery, QLD, pp.26-30.
\nKelly, M 2010, \u2018Gathering as Usual\u2019, reproduction back cover image, RED Magazine, Griffith University, Brisbane, QLD, no.5.<\/p>\n

2009
\nMorrell, T 2009, \u2018Queensland: The Unreal Australia\u2019, Exhibition catalogue Temperature Two, p.15.<\/p>\n

2008
\nMorrell, T 2008, \u2018The error of our ways: Madeleine Kelly\u2019, Artlink, vol. 28 no. 1 March 2008, pp.60-65.<\/p>\n

2007
\nFenner, F 2007, \u2018The Nature of Art\u2019, Art and Australia, Vol 44, No.3, Autumn.
\nFlynn, B 2007, \u2018Madeleine Kelly, Emerge and Review: A Look into the UBS Australian Art Collection\u2019, pp.54-55.<\/p>\n

2006
\nMorrell, T. & Cooke, G. 2006, Colonial to Contemporary: Queensland College of Art 125 Years, p.26.
\nFrost, A 2006, \u2018Madeleine Kelly, 50 of Australia\u2019s most collectable artists\u2019, Australian Art Collector, Issue 35, January-March p.105<\/p>\n

2005
\nButler, R 2005, Art in Australia, Art Review, vol.43, no.2, Summer, p.277.
\nSmee, S 2005, \u2018Spring Loaded\u2019, The Weekend Australia, pp.17-18 September.
\nClement, T 2005, \u2018Cleanse the Palette\u2019, The Sydney Morning Herald Metro: Exhibitions, p.26.
\nMcDonald, J 2005, \u2018Isn\u2019t it Ironic?\u2019 The Sydney Morning Herald \u2013 Spectrum, Visual Art, 15-16 October pp.28 \u2013 29.
\nArt Matters (MCA\u2019s Members\u2019 Newsletter), Cover Image, Spring.
\nFenner, F 2005, Primavera: Exhibition by Young Australian Artists, exhibition catalogue.<\/p>\n

2004
\nBrand, S 2004, \u2018Painting Modern Life\u2019, exhibition catalogue, Blur, December, pp.6-16.
\nSorensen, R 2004, \u2018Top painting a confronting image of Iraq\u2019, The Courier Mail, Saturday May 15, p.3.<\/p>\n

2003
\nMcLean, S 2003, \u2018Art from the Ashes\u2019, The Courier Mail, Saturday September 6, BAM p.4.
\nButler, R 2003, \u2018Spooky work by fresh new talent\u2019, The Courier Mail, Saturday August 23, BAM p.4.
\nMachan, K 2003, Art Monthly Australia, Artnotes QLD, March no 157 p. 157.
\nMilani, J 2003, \u2018On the transformation of oil\u2019 in Fossilphilia, exhibition catalogue.
\nBrooks, H 2003, \u2018Oil Painting\u2019, The Courier Mail, March 11 2003, p.17.<\/p>\n

2001
\nHoffie, P 2001, \u2018Review: Anatomy of a Metaphor\u2019, in Artlink, vol.21, no.2, pp.86-87.<\/p>\n

Collections<\/strong>
\nQueensland Art Gallery I Gallery of Modern Art
\nGriffith University Art Collection, Brisbane
\nUniversity of Queensland Art Museum
\nArtbank, Sydney
\nThe Paul Eliadis Collection of Contemporary Art
\nTEWRR Collection, Brisbane\/UK
\nGadens Lawyers, Brisbane
\nKPMG Corporate Collection, Sydney
\nUBS Art Collection, Sydney
\nIpswich Regional Gallery, QLD
\nVarious private collections in Australia<\/p>\n","protected":false},"excerpt":{"rendered":"

www.madeleinekelly.com.au German-born Madeleine Kelly, who arrived in Australia in 1980, is a visual artist who primarily works in painting. She majored with 1st class Honours in Fine Art from the Queensland College of Art, Griffith University in 1999, and her practice-led PhD was conferred by the same institution in 2013. Titled Picturing Archaeologies: The Meta-archaic…Continue reading<\/span>Madeleine Kelly<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":1797,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[106],"tags":[],"class_list":["post-1796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuenstler-2016","tw-meta-no-icon"],"yoast_head":"\nMadeleine Kelly - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/de\/2017\/03\/29\/madeleine-kelly\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Madeleine Kelly - LIA\" \/>\n<meta property=\"og:description\" content=\"www.madeleinekelly.com.au German-born Madeleine Kelly, who arrived in Australia in 1980, is a visual artist who primarily works in painting. She majored with 1st class Honours in Fine Art from the Queensland College of Art, Griffith University in 1999, and her practice-led PhD was conferred by the same institution in 2013. 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