{"id":1925,"date":"2017-03-29T17:35:33","date_gmt":"2017-03-29T15:35:33","guid":{"rendered":"http:\/\/liap.eu\/?p=1925"},"modified":"2017-03-29T17:35:33","modified_gmt":"2017-03-29T15:35:33","slug":"veronica-calfat-2","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2017\/03\/29\/veronica-calfat-2\/","title":{"rendered":"Veronica Calfat"},"content":{"rendered":"<p><a href=\"http:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Veronica-Calfat.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1923\" src=\"http:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Veronica-Calfat-212x300.jpeg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Veronica-Calfat-212x300.jpeg 212w, https:\/\/liap.eu\/wp-content\/uploads\/2017\/03\/Veronica-Calfat.jpeg 700w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.veronicacalfat.com.ar\" target=\"_blank\">www.veronicacalfat.com.ar<\/a><\/p>\n<p>Lives and works in Buenos Aires, Argentina.<\/p>\n<p>I am currently investigating the glass as a support for oil painting. The images that I develop are linked to a vulnerable yet powerful state, to the archetypal, to the depth and primitive. I allow myself to think of fragility as a property that potentially contains a change and link it to the Theory of Irreversible Processes: a fragile, uncertain state, in order to remain in reality, must take an evolutionary leap.<\/p>\n<p>Glass is then, that material that can manifest a metamorphosis and at the same time allows me to evidence a structural resource of the painting, the construction of the image by layers. Fundament of the opaque mirror and also of the transparency that leaves in sight the gesture and the process.<\/p>\n<p>Painted glass -broken paints-, paintings-mirror, images on a material so resistant that, to mutate, can only be broken.<\/p>\n<p><strong>Education \/ Scholarships<\/strong><br \/>\n2016. PAC (Contemporary artistic practices) Gachi Prieto. Studies with: Rodrigo Alonso, Rafael Cipollini, Ana Gallardo and Eduardo Stup\u00eda. Buenos Aires, Argentina<\/p>\n<p>2015. Systematic training of the drawing. Torquato Di Tella University. Studies with: Eduard Stup\u00eda. Buenos Aires, Argentina<\/p>\n<p>2011. Scholarship for artists. Fondo Nacional de las Artes. Buenos Aires, Argentina<\/p>\n<p>2011. Scholarship for specialization in Furniture Design. University of Buenos Aires, Argentina<\/p>\n<p>2010-2014. Workshop \/ Mentorship: Diana Aisenberg. Buenos Aires, Argentina<\/p>\n<p>2005-2009. Painting Workshop \/ Mentorship: Silvia Gurfein and Valeria Macul\u00e1n<\/p>\n<p>2000-2006. Architecture. University of Buenos Aires, Argentina<\/p>\n<p><strong>Solo Exhibitions<\/strong><br \/>\n2015 \u201cEl rayo y la arena\u201d Diagonal gallery. Buenos Aires, Argentina<\/p>\n<p>2013 \u201cTenemos nubes\u201d Ciclo dos paredes, Centro Cultural de la memoria Haroldo Con3. Buenos Aires, Argentina<\/p>\n<p><strong>Group Exhibitions<\/strong><br \/>\n2016 \u201cPresentimiento\u201d Ruby gallery. Buenos Aires, Argentina<\/p>\n<p>2016 ArteBA (art fair) Ruby gallery. Buenos Aires, Argentina<\/p>\n<p>2015 \u201cNuevo coleccionismo\u201d Ruby gallery. Buenos Aires, Argentina<\/p>\n<p>2015 \u201cPlano Pofundo\u201d Studio 104. Buenos Aires, Argentina<\/p>\n<p>2015 \u201cLa fuerza d\u00e9bil\u201d Fondo Nacional de las Artes. Buenos Aires, Argentina<\/p>\n<p>2014 \u201cGira\u201d La Ira de Dios gallery. Buenos Aires, Argentina<\/p>\n<p>2014 \u201cSuper s\u00f3lidos\u201d Diagonal gallery. Buenos Aires, Argentina<\/p>\n<p>2013 Fundaci\u00f3n J. F. Klemm. Buenos Aires, Argentina<\/p>\n<p>2012 \u201cMuseo Urbano\u201d Hospital Rivadavia. Buenos Aires, Argentina<\/p>\n<p>2011 \u201cBecarios FNA-EcunHi\u201d Galer\u00eda Argentina. Par\u00eds, France<\/p>\n<p>2011 \u201cPremio Pintura Banco Naci\u00f3n\u201d Centro Cultural Borges<\/p>\n<p>2010 \u201cOver the rainbow\u201d OZ gallery. Buenos Aires, Argentina<\/p>\n<p>2010 \u201cAlegr\u00eda del hogar\u201d Miau-miau gallery. Buenos Aires, Argentina<\/p>\n<p>2010 \u201cTigre\u201d Munguau, Centro Cultural Coreano. Buenos Aires, Argentina<\/p>\n<p>2010 \u201cToda forma de amor\u201d Oz gallery. Buenos Aires, Argentina<\/p>\n<p><strong>Awards &amp; Residencies<\/strong><br \/>\n2016 Selected work. Banco Central de la Rep\u00fablica Argentina Award<\/p>\n<p>2015 CURADORA, artist Residency. Santa F\u00e9, Argentina<\/p>\n<p>2013 Selected work. Fundaci\u00f3n J. F. Klemm Award<\/p>\n<p>2010 Selected work. Banco Naci\u00f3n Argentina Award<\/p>\n<p>2009 Mention. Casa FOA. Buenos Aires, Argentina<\/p>\n<p><strong>Collective Projects<\/strong><br \/>\nDIAGONAL. Co-founder and manager of visual art space. 2013. Buenos Aires, Argentina<\/p>\n<p>2014 Mecenazgo Cultural Grant. DIAGONAL Project. Ciudad de Buenos Aires<\/p>\n<p>2014 National Scolarship for Collective Projects. Fondo Nacional de las Artes<\/p>\n<p>2013 National Scolarship for Collective Projects . Fondo Nacional de las Artes<\/p>\n<p><strong>Others<\/strong><br \/>\n2015-2016 Chief of prac3cal work at University of Buenos Aires &#8211; Architectonic Representation, C\u00e1tedra Ludovico Jacoby<\/p>\n<p>2006-2014 Profesor at University of Buenos Aires &#8211; Architectonic Representation, C\u00e1tedra Ludovico Jacoby<\/p>\n","protected":false},"excerpt":{"rendered":"<p>www.veronicacalfat.com.ar Lives and works in Buenos Aires, Argentina. I am currently investigating the glass as a support for oil painting. The images that I develop are linked to a vulnerable yet powerful state, to the archetypal, to the depth and primitive. I allow myself to think of fragility as a property that potentially contains a&hellip;<a href=\"https:\/\/liap.eu\/index.php\/2017\/03\/29\/veronica-calfat-2\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Veronica Calfat<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":1923,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-1925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-2016","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Veronica Calfat - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2017\/03\/29\/veronica-calfat-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Veronica Calfat - LIA\" \/>\n<meta property=\"og:description\" content=\"www.veronicacalfat.com.ar Lives and works in Buenos Aires, Argentina. I am currently investigating the glass as a support for oil painting. The images that I develop are linked to a vulnerable yet powerful state, to the archetypal, to the depth and primitive. 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I am currently investigating the glass as a support for oil painting. The images that I develop are linked to a vulnerable yet powerful state, to the archetypal, to the depth and primitive. 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I am currently investigating the glass as a support for oil painting. The images that I develop are linked to a vulnerable yet powerful state, to the archetypal, to the depth and primitive. I allow myself to think of fragility as a property that potentially contains a&hellip;Continue&hellip;","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/1925"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=1925"}],"version-history":[{"count":1,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/1925\/revisions"}],"predecessor-version":[{"id":1926,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/1925\/revisions\/1926"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/1923"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=1925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=1925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=1925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}