{"id":4197,"date":"2017-10-06T12:15:03","date_gmt":"2017-10-06T10:15:03","guid":{"rendered":"https:\/\/liap.eu\/?p=4197"},"modified":"2020-02-12T22:14:45","modified_gmt":"2020-02-12T21:14:45","slug":"jordan-marani","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2017\/10\/06\/jordan-marani\/","title":{"rendered":"Jordan Marani"},"content":{"rendered":"

\"\"<\/a><\/p>\n

jordanmarani.blogspot.de<\/a><\/p>\n


\nAusblidung\/ Beruf
\n<\/strong>1988 \u2013 1990 \u00a0\u00a0 Bachelor of Fine Art (Painting), Victoria College, Prahran
\n2008 \u2013 2011 \u00a0\u00a0 Founder\/ Co-director, Hell Gallery, Melbourne >><\/a><\/p>\n

 <\/p>\n

Einzelausstellungen
\n<\/strong>2016 \u00a0SHIT Happens<\/em>,\u00a0Ararat Regional Art Gallery, Ararat
\n2016 \u00a0Plonk<\/em><\/a>, Daine Singer, Melbourne
\n2015 \u00a0Drawing Wall commission<\/em>, Shepparton Art Museum, Shepparton
\n2014 \u00a0Colourful Language<\/em>: The Charm Offensive<\/em><\/a>, Daine Singer, Melbourne
\n2013 \u00a0Idiot as an Artist<\/em>, West Space, Melbourne >><\/a>
\n2013\u00a0 Xmas is a Four-Letter Word<\/a><\/em>, Daine Singer, Melbourne
\n2011\u00a0 Ten Pound Poms and Other Stories<\/em>, Static Gallery, Liverpool
\n2011\u00a0 The Rest is Silence<\/em>, Death Be Kind Gallery, Melbourne (with Jess Johnson)
\n2010 \u00a0Who cut the cheese? Two giants of contemporary art talk frankly of monumental tasks<\/em>, Seventh Gallery, Melbourne (with Jess Johnson)
\n2009 \u00a0Home is Where My Hell Is<\/em>, Gippsland Centre for Art and Design (with Jess Johnson)
\n2009 Hell is Other People, <\/em>Inflight Gallery, Hobart (with Jess Johnson)
\n2009 \u00a0Flippin Heck<\/a><\/em>, Hell Gallery, Melbourne (with Jess Johnson)
\n2008 \u00a0Hellraiser: The Directors Cut<\/a>,<\/em> Hell Gallery, Melbourne (with Jess Johnson)
\n2007 \u00a0This is Not a Love Schlong<\/em><\/a>, Utopian Slumps, Melbourne (with Jess Johnson)
\n2001 \u00a0Recent Works by Jordan Marani<\/em>, Yelza, Melbourne
\n1996 \u00a0For Your **** Pleasure<\/em>, West Space, Melbourne
\n1994 \u00a0Liquid Assets<\/em>, Saratoga Night Club, Melbourne
\n1993 \u00a0Binge<\/em>, Studio 12, 200 Gertrude Street, Melbourne
\n1992 \u00a0Head<\/em>, Studio 12, 200 Gertrude Street, Melbourne<\/p>\n

Gruppenausstellungen
\n<\/strong>2017 \u00a0Affects on Absorption<\/em>, LIA Leipzig, Germany
\n2017 \u00a0Open House<\/em>, True Estate, Melbourne
\n2017 \u00a0Icon<\/em>, Richmond Town Hall, Melbourne
\n2017 \u00a0Restless<\/em>, VCA Margaret Lawrence Gallery, Melbourne
\n2017 \u00a0Bundoora Homestead, Melbourne
\n2016 \u00a0ACCA in the City<\/em>, public art, ACCA, Melbourne
\n2016 \u00a0Invited<\/em>, Spinnerei Leipzig, Germany
\n2016 \u00a0Is this thing on? <\/em>Counihan Gallery, Melbourne
\n2015 \u00a0Science Friction,<\/em> Counihan Gallery, Melbourne
\n2015 \u00a0Spring 1883<\/em>, The Establishment, Sydney
\n2015 \u00a0The 3rd Bus Projects Editions,<\/em> Bus Projects, Melbourne
\n2014 \u00a0 I Probably Don\u2019t Like You<\/em>, curated by Nick Devlin and Fergus Binns, The Alderman, Melbourne
\n2014 \u00a0Faux Museum<\/em>, c3, Melbourne
\n2014 \u00a0Spring 1883 Art Fair<\/em>, Melbourne
\n2014 \u00a0Melbourne Art Fair Pop-Up<\/em>, curated by Barry Keldoulis, Melbourne Art Fair at Cutler & Co, Melbourne
\n2014 \u00a0No Werk<\/em>, curated by Ace Wagstaff, Trocadero, Melbourne
\n2014 \u00a0Industrial Estate<\/em>, curated by Kym Maxwell, Melbourne
\n2014 \u00a0Moreland Summer Show<\/em>, Counihan Gallery, Melbourne
\n2013 \u00a0Drunk vs. Stoned III<\/em>, curated by Geoff Newton, Neon Parc, Melbourne
\n2012 \u00a0Deakin Small Sculpture Prize<\/em>, Finalist, Deakin University Gallery, Victoria
\n2010 \u00a0No Soul For Sale<\/em>, Tate Modern, London
\n2010 \u00a0 Harrell Fletcher: The Sound We Make Together<\/em>, National Gallery of Victoria
\n2010 \u00a0 NotFair<\/em>, Block Projects, Melbourne
\n2010 \u00a0The Memorial<\/em>, Death Be Kind Gallery, Melbourne
\n2009 \u00a0Lorne Sculpture Exhibition<\/em>, Lorne
\n2008 \u00a0Honk If You Love Contemporary Art<\/em>, Ryan Renshaw Gallery, Brisbane
\n2008 \u00a0Flux Capacitor<\/em>, Utopian Slumps, Melbourne
\n2008 \u00a0Dirty Popsicles<\/em>, Peloton Gallery, Sydney
\n2008 \u00a0 Informal Rituals<\/em>, TCB Gallery, Melbourne
\n2007 \u00a0Cut n\u2019 Paste<\/em>, Peloton Gallery, Sydney
\n2000 \u2013 2006 \u00a0Helen Gory Gallery, Artists Garden, Yarra Sculpture Gallery, Victoria Park Gallery
\n1990s \u00a0National Gallery of Victoria, George Paton Gallery, West Space, 200 Gertrude Street, Geelong Regional Art Gallery, Linden Gallery, Monash Gallery of Art,Tolarno Gallery, Deutscher Gallery, Ray Hughes Gallery<\/p>\n

Auszeichnungen\/Preise<\/strong>
\n2016 \u00a0Bayside Prize finalist
\n2015 \u00a0Darebin Art Prize finalist
\n2013 \u00a0Australia Council Mid-Career Grant
\n2012 \u00a0Deakin Small Sculpture Prize, Finalist, Deakin University Gallery, Victoria
\n2011 \u00a0Australia Council Liverpool Residency
\n1991-1993 \u00a0200 Gertrude Street Studio Resident<\/p>\n

Bibliografie<\/strong>
\n2016 \u00a0Sarah Werkmeister, ‘Jordan Marani paints four-letter words’,\u00a0Art Guide<\/em>, Australia >><\/a>
\n2016 \u00a0Claire Capel-Stanley, ‘Jordan Marani: Shit Happens’ Art Almanac<\/em>, Australia >><\/a>
\n2014 \u00a0Roger Taylor, State of the Arts, PBS FM, 25 November 2014
\n2014 \u00a0Steven Rendall, \u2018Painting, writing, colour and profanity\u2019, catalogue essay, Daine Singer, 2014
\n2014 \u00a0Madeleine Dore, \u2018Pop-ups level the playing field\u2019, ArtsHub, 4 November 2014 >><\/a>
\n2014 \u00a0Dan Rule, \u2018Furniture makes way for fine arts in Heidelberg West factory exhibition Industrial Estate\u2019, The Age<\/em>, 8 January 2014, p.20 >><\/a>
\n2013 \u00a0Robert Nelson, \u2018A year of visual-arts invention from here and afar\u2019, The Age<\/em>, 27 December
\n2013 \u00a0Jonathan Nichols, \u2018Xmas: Jordan Marani\u2019, Stamm<\/em>, October 2013 >><\/a>
\n2013 \u00a0Dan Rule, \u2018Xmas is a Four-Letter Word\u2019, The Age<\/em>, 7 September 2013 >><\/a>
\n2013 \u00a0Dylan Rainforth, \u2018Take a larrikin tour\u2019, The Age<\/em>, 4 September 2013 >><\/a>
\n2013 \u00a0Ace Wagstaff, Smartarts, RRR FM<\/em>, 12 September 2013 >><\/a>
\n2013 \u00a0Roger Taylor, State of the Arts, PBS FM, 7 September 2013
\n2013 \u00a0Nat Thomas, \u2018Dodging a Bullet and Going Straight to Hell\u2019, catalogue essay, Xmas is a Four-Letter Word<\/em>, Daine Singer, Melbourne
\n2013 \u00a0\u2018Jordan Marani: Xmas is a Four-Letter Word\u2019, The Thousands<\/em>, 31 August 2013 >><\/a><\/em>
\n2013 \u00a0Xmas is a Four-Letter Word<\/em>, catalogue, Daine Singer, Melbourne >><\/a>
\n2013 \u00a0Meg Watson, Concrete Playground <\/em>>><\/a>
\n2010 \u00a0\u2018Hell Gallery Headed for London\u2018, Stateline Victoria,<\/em> ABC >><\/a>
\n2010 \u00a0Art Nation, ABC TV, 9\/5\/2010; 7.30 Report, ABC TV<\/em>, 1 May 2010 >><\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

jordanmarani.blogspot.de Ausblidung\/ Beruf 1988 \u2013 1990 \u00a0\u00a0 Bachelor of Fine Art (Painting), Victoria College, Prahran 2008 \u2013 2011 \u00a0\u00a0 Founder\/ Co-director, Hell Gallery, Melbourne >>   Einzelausstellungen 2016 \u00a0SHIT Happens,\u00a0Ararat Regional Art Gallery, Ararat 2016 \u00a0Plonk, Daine Singer, Melbourne 2015 \u00a0Drawing Wall commission, Shepparton Art Museum, Shepparton 2014 \u00a0Colourful Language: The Charm Offensive, Daine Singer,…Continue reading<\/span>Jordan Marani<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":4198,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[322,420],"tags":[],"class_list":["post-4197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuenstler-2017","category-kuenstler-2019","tw-meta-no-icon"],"yoast_head":"\nJordan Marani - 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