{"id":4230,"date":"2019-07-01T12:09:26","date_gmt":"2019-07-01T10:09:26","guid":{"rendered":"https:\/\/liap.eu\/?p=4230"},"modified":"2019-08-29T15:10:36","modified_gmt":"2019-08-29T13:10:36","slug":"trevor-kiernander","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2019\/07\/01\/trevor-kiernander\/","title":{"rendered":"Trevor Kiernander"},"content":{"rendered":"<p><em>Zeitraum: Juli &#8211; September 2019<br \/>\n<\/em><em>November 2017 &#8211; Januar 2018<\/em><\/p>\n<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2017\/11\/TrevorKiernander.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4231\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2017\/11\/TrevorKiernander.jpg\" alt=\"\" width=\"235\" height=\"235\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2017\/11\/TrevorKiernander.jpg 432w, https:\/\/liap.eu\/wp-content\/uploads\/2017\/11\/TrevorKiernander-150x150.jpg 150w, https:\/\/liap.eu\/wp-content\/uploads\/2017\/11\/TrevorKiernander-300x300.jpg 300w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.trevorkiernander.com\/\" target=\"_blank\" rel=\"noopener\">www.trevorkiernander.com<\/a><\/p>\n<p>Trevor Kiernanders Arbeiten schlagen konsequent eine formale Auseinandersetzung mit dem Raum der Malerei und des Zeichnens vor. Durch die Assoziation und Kollision mehrerer Perspektiven und den Einsatz \u00fcberlappender technischer Ans\u00e4tze untersucht er die grundlegende, fundamentale Dualit\u00e4t zwischen Hintergrund und Vordergrund und die Beziehung zwischen Figur und Boden als solche. Kiernander arbeitet gleichzeitig an mehreren Leinw\u00e4nden an derselben Wand und experimentiert mit vielen Konfigurationen, um die Komposition auf komplexe, aber entschlossene Weise zu vereinheitlichen. Dabei wird die Zusammenstellung von Leinw\u00e4nden und Bildern dekonstruiert und rekonstruiert, wodurch widerspr\u00fcchliche, aber anregende und zusammenh\u00e4ngende Arbeiten entstehen, deren endg\u00fcltige Installation das Ergebnis dieses Forschungsergebnisses im Studio ist.<\/p>\n<div id=\"tw-target-text-container\" class=\"tw-ta-container tw-nfl\">\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"\u00dcbersetzung\"><span lang=\"de\" tabindex=\"0\">Trevor Kiernander wurde 1975 in Mississauga, Ontario, geboren und lebt derzeit in Montreal, Quebec. Er hat einen BFA in Malen und Zeichnen von der Concordia University (mit Auszeichnung, 2006) und einen Master in Fine Art: Art Practice vom Godsmiths College der University of London (2009). W\u00e4hrend seiner Zeit in London von 2007 bis 2014 stellte er in ganz Gro\u00dfbritannien aus und nahm an mehreren Projekten und Ausstellungen in Deutschland, Russland, den USA, Kanada und Marokko teil. 2017 wurde Trevor f\u00fcr Residenzen im Vermont Studio Center und im Leipziger Internationalen Kunstprogramm ausgew\u00e4hlt und erhielt 2018 einen Zuschuss des Canada Council f\u00fcr das Arts Concept to Realization f\u00fcr Einzelausstellungen in Kanada im Maison de la culture de NDG (2018) und die Galerie d&#8217;art d&#8217;Outremont (2019). Seine Werke befinden sich in nationalen und internationalen Sammlungen, darunter das CPOA des Nationalen Museums der Sch\u00f6nen K\u00fcnste von Quebec, die Concordia-Universit\u00e4t, der Rat f\u00fcr K\u00fcnste von Montreal, Loto-Qu\u00e9bec, Mouvement Desjardins, die Toronto Dominion Bank und die Universit\u00e9 de Sherbrooke.<\/span><\/p>\n<\/div>\n<h4><strong>Ausbildung<\/strong><\/h4>\n<p>2009 MFA, Art Practice\u2014Goldsmiths University of London, London, UK<br \/>\n2006 BFA w\/ Distinction, Major Painting &amp; Drawing\u2014Concordia University,\u00a0Montr\u00e9al, Canada<br \/>\n2000 Interpretive Illustration Diploma\u2014Sheridan College,\u00a0Oakville, Canada<\/p>\n<h4>Einzelausstellungen<\/h4>\n<p>2019 Galerie d&#8217;art d&#8217;Outremont, Montreal, Canada<br \/>\n2018 Maison de la culture NDG, &#8220;In Free Fall&#8221;, Montreal, Canada<br \/>\n2018 Art M\u00fbr, &#8220;Bound and Boundless&#8221;, Berlin, Germany<br \/>\n2017 Maison des arts de Laval (foyer) &#8220;D\u00e9sorientation&#8221;, Laval, Canada<br \/>\n2016 Art M\u00fbr, &#8220;Event Horizon: This Must Be The Place&#8221;, Montreal, Canada<br \/>\n2016 McClure Gallery,&#8221;Event Horizon: This Must Be The Place&#8221;, Montreal, Canada<br \/>\n2014 Art M\u00fbr, &#8220;Uncommon Ground&#8221;, Montreal, Canada<br \/>\n2013 Vitrine, \u201cFallen\u201d, London, UK<br \/>\n2012 Art M\u00fbr, &#8220;Here. Not Here.&#8221;, Montreal, Canada<br \/>\n2010 The Woodmill, &#8220;Project:Space&#8221;, London, UK<br \/>\n2010 Art M\u00fbr, &#8220;To Build A Home&#8221;, Montreal, Canada<br \/>\n2010 Bearspace, &#8220;Trade Skins&#8221;, London, UK<br \/>\n2007 Art M\u00fbr, \u201cRelative Detachments\u201d, Montreal, Canada<br \/>\n2005 La Fabriq, \u201cForm, Fond, Couleur\u201d, Montreal, Canada<\/p>\n<h4>Gruppenausstellungen (Auswahl)<\/h4>\n<p>2018<br \/>\nGalerie Michel Guimont, Quebec City, Canada<br \/>\nAtlas House, Ipswich Biennale, Ipswich, United Kingdom<br \/>\nArt M\u00fbr, &#8220;Gr\u00e2ce du dessin&#8221;, Montreal, Canada<br \/>\nSpinnerei Werkschau, &#8220;Sediments&#8221;, Leipzig, Germany<br \/>\nLIA Spinnerei, Winter Rundgang, Leipzig, Germany<\/p>\n<p>2017<br \/>\nLIA Spinnerei, Open Studios, Leipzig, Germany<br \/>\nGalerie Michel Guimont, Off-Manif, Quebec City, Canada<\/p>\n<p>2016<br \/>\nLeonard &amp; Bina Ellen Gallery, &#8220;Sightings 17: The Time of Work&#8221;, Montreal, Canada<\/p>\n<p>2015<br \/>\nThe Wilson, Cheltenham Art Gallery &amp; Museu, &#8220;The Open West&#8221;, Cheltenham, UK<\/p>\n<p>2014<br \/>\nHUSK, &#8220;Teleology&#8221;, London, UK<br \/>\nL\u2019Blassa, \u201cBAB\/\/\\\\DAR\u201d, in collaboration w\/ Marrakech Biennale, Marrakech, Morocco<br \/>\nLe 18, \u201cHere &amp; Now &#8211; Sound Matters\u201d, Marrakech, Morocco<\/p>\n<p>2013<br \/>\nSt James Hatcham Goldsmiths, &#8220;Post Post&#8221;, London, UK<br \/>\nMaria Stenfors Gallery, &#8220;Endogenous II&#8221;, London, UK<br \/>\nSouthbank Centre, \u201cMy Deptford: 8 Minutes From Here\u201d, London, UK<br \/>\nEnclave, \u201cFeedback\u201d, London, UK<br \/>\nMus\u00e9e des beaux-arts de Mont-Saint-Hilaire, \u201cH\u00e9ritage de Borduas\u201d, Mont-Saint-Hilaire, Canada<br \/>\nDeparture Foundation, \u201cSatelike\u201d, London, UK<br \/>\nCART @ Armory Week: Dream Baby, New York, USA<br \/>\nJotta, Battersea Evolution, \u201cAn Undelivered Postcard From The Edge Of The World\u201d, London<\/p>\n<p>2012<br \/>\nContact, \u201cLocation Relative\u201d, Manchester, UK<br \/>\nDeptford X, \u201cBringing Home The Art\u201d, London, UK<br \/>\nBussey Building, \u201cFor Display Purposes Only\u201d, London, UK<br \/>\nLondon Art Fair, &#8220;Art Projects w\/ Axis&#8221;, London, UK<\/p>\n<p>2011<br \/>\nKunstverein Speyer, &#8220;So Here We Are&#8221;, Speyer, Germany<br \/>\nCentral House Of Artists, &#8220;TRANSLATE \/ TRANSCRIBE&#8221;, Moscow, Russia<br \/>\nArt Mur, &#8220;Question De Principe, Matter Of Principle&#8221;, Montreal, Canada<br \/>\nThe Woodmill, &#8220;S.A.G.S.&#8221;, London, UK<br \/>\nThe Woodmill, &#8220;Nicolas Party: Elephants at the Woodmill&#8221;, London, UK<br \/>\n38b Peckham Rye, &#8220;I Have No Use For The Truth&#8221;, London, UK<br \/>\nCollective Show Los Angeles w\/ LA Pedestrians Gallery, Los Angeles, USA<\/p>\n<p>2010<br \/>\nVulpes Vulpes, &#8220;Heliotrope&#8221;, London, UK<br \/>\nShopAt34, \u201cSay What What Way\u201d, London, UK<br \/>\nBEARSPACE, \u201cPrint Now II\u201d, London, UK<br \/>\nThe Woodmill \u201cThe Devil\u2019s Necktie\u201d, London, UK<\/p>\n<p>2009<br \/>\nShopAt34, &#8220;soSHOW!&#8221;, London, UK<br \/>\nBearspace, &#8220;Goblet&#8221;, London, UK<br \/>\nArea10, &#8220;Groupe\/Grope&#8221;, London, UK<br \/>\nJames Taylor Gallery, &#8220;Notes From The Underground&#8221;, London, UK<br \/>\nGrace &amp; Clark Fyfe Gallery, \u201cHow to Manage When Everything\u2019s a Priority\u201d, Glasgow,UK<\/p>\n<p>2008<br \/>\nLewisham Art House, New Cross Art Prize Exhibition, London, UK<br \/>\nTender Pixel Gallery, New Paintings w\/ Sungyeon Park, London, UK<\/p>\n<p>2007<br \/>\nFOFA Gallery, Stanley Mills Purchase Prize Exhibition, Montreal, Canada<\/p>\n<p>2006<br \/>\nAtelier William, Montreal, Canada<br \/>\nParisian Laundry &#8220;Collection I&#8221;, Montreal, Canada<br \/>\nAWOL Gallery &#8220;Square Foot&#8221;, Toronto, Canada<br \/>\nLeonard &amp; Bina Ellen Gallery, \u201cThe Only Way Out Is In\u201d, Montreal, Canada<\/p>\n<h4><strong>Kunstmessen<\/strong><\/h4>\n<p>2016 Art Toronto, Toronto, Canada<br \/>\n2016 Papier, Montr\u00e9al, Canada<br \/>\n2015 Art Toronto, Toronto, Canada<br \/>\n2015 Papier, Montr\u00e9al, Canada<br \/>\n2014 Art Toronto, Toronto, Canada<br \/>\n2014 Papier, Montr\u00e9al, Canada<br \/>\n2013 CART @ Armory Week: Dream Baby, New York City, USA<br \/>\n2013 Jotta, Battersea Evolution, An Undelivered Postcard From The Edge Of The World, London, UK<br \/>\n2012 London Art Fair, Art Projects w\/ Axis, London, UK<br \/>\n2011 Central House Of Artists, TRANSLATE \/ TRANSCRIBE, Moscow, Russia<br \/>\n2010 Art Toronto, Toronto, Canada<br \/>\n2008 Art Toronto, Toronto, Canada<\/p>\n<h4><strong>Sammlungen<\/strong><\/h4>\n<p>CPOA du Mus\u00e9e national des beaux-arts du Qu\u00e9bec<br \/>\nBorden Ladner Gervais LLP<br \/>\nCollection Luc LaRochelle<br \/>\nConcordia University<br \/>\nConseil des arts de Montr\u00e9al<br \/>\nCourchesne Larose Ltd<br \/>\nEROS<br \/>\nFIFA (Festival International du Film sur l\u2019Art)<br \/>\nLoto-Qu\u00e9bec<br \/>\nMouvement Desjardins<br \/>\nOrford Centre for the Arts<br \/>\nParisian Laundry<br \/>\nStanley Mills Collection<br \/>\nTCGO Inc.<br \/>\nTilquin Collection<br \/>\nToronto Dominion Bank<br \/>\nUniversit\u00e9 de Sherbrooke<br \/>\nVarious private collections in Canada, USA, UK, Russia and Europe<\/p>\n<h4><strong> Bibliographie<\/strong><\/h4>\n<p>\u2022 Michael Valinsky, \u201cVisual Interview,\u201d The Wild Magazine, 21 August 2014<br \/>\n\u2022 Crystal Bennes, \u201cTrevor Kiernander,\u201d The Learned Pig, 27 November 2013 \u2022 Susie Pentelow, \u201cA Conversation with Canadian Artist Trevor Kiernander,\u201d Traction Magazine, 6 November 2013<br \/>\n\u2022 \u201cTrevor Kiernander. Fallen: A conversation with the Canadian artist Trevor Kiernander,\u201d Wall Street International, 23 March 2013<br \/>\n\u2022 \u201cArt Moscow 2011: A Round Up\u201d (video), Huffington Post, 21 October 2011<br \/>\n\u2022 Jerome Delgado, \u201cArts visuels\u2014De l\u2019intime jusqu\u2019\u00e0 la peinture extreme,\u201d Le Devoir (Montr\u00e9al), 31 December 2010<br \/>\n\u2022 Christian Roy, \u201cTREVOR KIERNANDER: La construction d\u2019un monde pictural,\u201d Vie des Arts (Canada) 219 (Summer 2010)<br \/>\n\u2022 Lori Callaghan,\u00a0\u201cRoots Of Home Reveal Where The Heart Lives,\u201d Montr\u00e9al Gazette, 12 June 2010<br \/>\n\u2022 Jerome Delgado, \u201cLe chaos raffin\u00e9 de Kiernander,\u201d Le Devoir (Montr\u00e9al), 5 June 2010 \u2022 Goldsmiths\u2014But Is It Art (documentary), dir. Magnus Temple and Emma Tutty, Dragonfly and BBC Four, April 2010<br \/>\n\u2022 Susan Holtham,\u00a0\u201cSetting Up Art-Shop With soShow!,\u201d Dazed Digital, London, December 2009<br \/>\n\u2022 \u201cGold &amp; Delicious,\u201d MESCALINA.IT: Rivista on-line di Arte e Cultura, February 2008<br \/>\n\u2022 di Francesca Cavazzana, \u201cGold &amp; Delicious,\u201d archimagazine, February 2008<br \/>\n\u2022 Christine Redfern,\u00a0\u201cA Stroke of Art,\u201d Montr\u00e9al Mirror, August 2007<\/p>\n<h4><strong>Publikationen<\/strong><\/h4>\n<p>Stephanie Locas and R. Travis, \u201cEvent Horizon: This Must be the Place\u201d, Art M\u00fbr, Montr\u00e9al, Sept 2016<br \/>\nBenjamin Klein and R. Travis, \u201cEvent Horizon: This Must be the Place\u201d, McClure, Montr\u00e9al, Sept 2016<br \/>\nTom Trevatt and C. Barnabe, \u201cUncommon Ground,\u201d Art M\u00fbr, Montr\u00e9al, September 2014<br \/>\nMichael Heilgemeir, \u201cThe Nomadic Studio,\u201d Edition Taube, London, March 2013<br \/>\nDominique Allard, \u201cTrevor Kiernander: Here. Not Here.\u201d, Art M\u00fbr, Montr\u00e9al, April 2012<br \/>\nCameron Skene, \u201cMeditations In An Emergency,\u201d Art M\u00fbr, Montr\u00e9al, April 2012<br \/>\nIan Gonczarow, \u201cTranslate\/Transcribe,\u201d Central House of Artists, Moscow, September 2011<br \/>\nSandra Erbahcer, \u201cSo Here We Are,\u201d Kunstverein Speyer, Germany, September 2011<br \/>\nCatherine Barnabe and S. Wilkinson, \u201cTo Build A Home,\u201d Art M\u00fbr, Montr\u00e9al, May 2010<br \/>\nCarte Blanche 2, Painting Magenta Foundation, November 2008<br \/>\nLyne Crevier and Katey Apsey, \u201cRelative Detachements,\u201d Art M\u00fbr, Montr\u00e9al, July 2007<\/p>\n<h4><strong> Residenzen \/ Auszeichnungen \/ Preise<\/strong><\/h4>\n<p>2018 Canada Council for the Arts, Concept to Realization Grant, Canada<br \/>\n2017 LIA Leipzig International Artist Programme Residency, Leipzig Germany<br \/>\n2017 Vermont Studio Centre Residency, Vermont, USA<br \/>\n2017 Merit-based Artist Grant ($1700USD) Vermont Studio Centre Residency, Vermont, USA<br \/>\n2014 MINT Collective Residency, Riad Biba, Marrakech, Morocco<br \/>\n2013 PEER Residency w\/ Merike Estna, London, UK<br \/>\n2010 John Moores Contemporary Painting 2010 (short list), London, UK<br \/>\n2010 Bloomberg New Contemporaries 2010 (short list), London, UK<br \/>\n2010 Woodmill Travel Grant, London, UK<br \/>\n2007 RBC Painting Competition (short list): Eastern Division, Canada<\/p>\n<p><strong><br \/>\nBerufliche Erfahrungen \/ Lehre \/ K\u00fcnstlergespr\u00e4che<\/strong><\/p>\n<p>2016 Artist Talk, McClure Gallery, Montr\u00e9al, Canada<br \/>\n2016 External Examiner, BFA Drawing, Concordia University, Montr\u00e9al, Canada<br \/>\n2016 In-Course Lecture\/Artist Talk, Concordia University, Montr\u00e9al, Canada<br \/>\n2015 In-Course Lecture\/Artist Talk, Concordia University, Montr\u00e9al, Canada<br \/>\n2012 Visiting Tutor BA Fine Art, British Higher School of Art &amp; Design, Moscow, Russia<br \/>\n2012 Artist Talk, British Higher School of Art &amp; Design, Moscow, Russia<br \/>\n2009 Co-director, ShopAt34, London, UK<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zeitraum: Juli &#8211; September 2019 November 2017 &#8211; Januar 2018 www.trevorkiernander.com Trevor Kiernanders Arbeiten schlagen konsequent eine formale Auseinandersetzung mit dem Raum der Malerei und des Zeichnens vor. Durch die Assoziation und Kollision mehrerer Perspektiven und den Einsatz \u00fcberlappender technischer Ans\u00e4tze untersucht er die grundlegende, fundamentale Dualit\u00e4t zwischen Hintergrund und Vordergrund und die Beziehung zwischen&hellip;<a href=\"https:\/\/liap.eu\/index.php\/de\/2019\/07\/01\/trevor-kiernander\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Trevor Kiernander<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":4231,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[322,420],"tags":[],"class_list":["post-4230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuenstler-2017","category-kuenstler-2019","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Trevor Kiernander - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/de\/2019\/07\/01\/trevor-kiernander\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trevor Kiernander - LIA\" \/>\n<meta property=\"og:description\" content=\"Zeitraum: Juli &#8211; September 2019 November 2017 &#8211; Januar 2018 www.trevorkiernander.com Trevor Kiernanders Arbeiten schlagen konsequent eine formale Auseinandersetzung mit dem Raum der Malerei und des Zeichnens vor. 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