{"id":4710,"date":"2018-07-09T18:33:22","date_gmt":"2018-07-09T16:33:22","guid":{"rendered":"https:\/\/liap.eu\/?p=4710"},"modified":"2018-08-08T12:21:05","modified_gmt":"2018-08-08T10:21:05","slug":"cassidy-clingman","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/","title":{"rendered":"Cassidy Clingman"},"content":{"rendered":"

Zeitraum: Juli – Dezember 2018<\/em><\/p>\n

Stipendiatin der School of Visual Arts New York<\/p>\n

\"\"<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/a><\/p>\n

www.cassidyclingman.com<\/a><\/strong><\/p>\n

\n
Die in Brooklyn ans\u00e4ssige K\u00fcnstlerin Cassidy Clingman nutzt ihre Erziehung in S\u00fcdflorida als Sprungbrett f\u00fcr die Konzepte ihrer fotografischen und skulpturalen Arbeiten.<\/span> In den meisten F\u00e4llen werden Bilder und Ideen von Schwimmb\u00e4dern verwendet, als Funktion der Erinnerung;<\/span> die Art und Weise, in der Erinnerungen im Gegensatz zu der Klarheit der Objekte \u00fcber der Oberfl\u00e4che fluten, untergehen und unklar werden.<\/span> Diesen Ansatz erweitert die K\u00fcnstlerin auch auf die Erforschung von Str\u00e4nden, Tourismus und \u00fcbergreifenden Themen, wie den Tropen, wobei weiterhin Konzepte von Ged\u00e4chtnis, Freizeit und Optik untersucht werden.<\/span> Jedes daraus entstandene St\u00fcck spielt mit dem Gegenst\u00e4ndlichen, dem Abstrakten und dem Funktionalen.<\/span><\/span><\/div>\n<\/div>\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n

Ausbildung<\/h4>\n

2013 – 2017
\nBFA, Visual and Critical Studies at School of Visual Arts (New York, NY)<\/p>\n

Ausstellungen<\/h4>\n

2017
\nWAY TO GO: Flatiron Project Space
\nGroup exhibition curated by Suzanne Joelson<\/p>\n

THE THIN EDGE OF THE WEDGE: Flatiron Project Space
\nGroup exhibition curated by Annette Wehrhahn and Emily Weiner<\/p>\n

WASH INSIDE OUT: VCS Open Studios
\nGroup exhibition curated by Cassidy Clingman, Caitlin Ladd, Zhiwei Chen, and Jennifer Soowon Choung<\/p>\n

2016
\nRETREAT EMERGE: VCS Open Studios
\nGroup exhibition curated by Chaerin Ahn<\/p>\n

2015
\nBCC: VCS Open Studios
\nGroup exhibition curated by Chaerin Ahn<\/p>\n

2014
\nFiber Arts (Selected Works): VCS Open Studios
\nGroup exhibition curated by Amy Wilson<\/p>\n

Auszeichnungen & Preise<\/h4>\n

2018
\nLeipzig International Art Programme Residency<\/p>\n

2017
\nGraduation with “High Honors”, School of Visual Arts<\/p>\n

2013 – 2017
\nDean’s List accreditation, School of Visual Arts<\/p>\n

2013 – 2017
\nSilas H. Rhodes Merit Scholarship Recipient<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Zeitraum: Juli – Dezember 2018 Stipendiatin der School of Visual Arts New York \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 www.cassidyclingman.com Die in Brooklyn ans\u00e4ssige K\u00fcnstlerin Cassidy Clingman nutzt ihre Erziehung in S\u00fcdflorida als Sprungbrett f\u00fcr die Konzepte ihrer fotografischen und skulpturalen Arbeiten. In den meisten F\u00e4llen werden Bilder und Ideen von Schwimmb\u00e4dern verwendet, als Funktion der Erinnerung; die Art und…Continue reading<\/span>Cassidy Clingman<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":4749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[338],"tags":[],"class_list":["post-4710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuenstler-2018","tw-meta-no-icon"],"yoast_head":"\nCassidy Clingman - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cassidy Clingman - LIA\" \/>\n<meta property=\"og:description\" content=\"Zeitraum: Juli – Dezember 2018 Stipendiatin der School of Visual Arts New York \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 www.cassidyclingman.com Die in Brooklyn ans\u00e4ssige K\u00fcnstlerin Cassidy Clingman nutzt ihre Erziehung in S\u00fcdflorida als Sprungbrett f\u00fcr die Konzepte ihrer fotografischen und skulpturalen Arbeiten. In den meisten F\u00e4llen werden Bilder und Ideen von Schwimmb\u00e4dern verwendet, als Funktion der Erinnerung; die Art und…Continue readingCassidy Clingman\" \/>\n<meta property=\"og:url\" content=\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/\" \/>\n<meta property=\"og:site_name\" content=\"LIA\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/LIAprogramme\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/LIAprogramme\" \/>\n<meta property=\"article:published_time\" content=\"2018-07-09T16:33:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-08-08T10:21:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/liap.eu\/wp-content\/uploads\/2018\/07\/cassidy-clingman-portrait2_web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"1169\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"LIA\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"LIA\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/\"},\"author\":{\"name\":\"LIA\",\"@id\":\"https:\/\/liap.eu\/#\/schema\/person\/6a0bff64f73ff1a6b7e1ccb7faf58204\"},\"headline\":\"Cassidy Clingman\",\"datePublished\":\"2018-07-09T16:33:22+00:00\",\"dateModified\":\"2018-08-08T10:21:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/\"},\"wordCount\":261,\"publisher\":{\"@id\":\"https:\/\/liap.eu\/#organization\"},\"image\":{\"@id\":\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/liap.eu\/wp-content\/uploads\/2018\/07\/cassidy-clingman-portrait2_web.jpg\",\"articleSection\":[\"K\u00fcnstler 2018\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/\",\"url\":\"https:\/\/liap.eu\/index.php\/de\/2018\/07\/09\/cassidy-clingman\/\",\"name\":\"Cassidy Clingman - 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In den meisten F\u00e4llen werden Bilder und Ideen von Schwimmb\u00e4dern verwendet, als Funktion der Erinnerung; die Art und…Continue…","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/4710"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=4710"}],"version-history":[{"count":3,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/4710\/revisions"}],"predecessor-version":[{"id":4787,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/4710\/revisions\/4787"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/4749"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=4710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=4710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=4710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}