{"id":4761,"date":"2018-08-08T11:21:10","date_gmt":"2018-08-08T09:21:10","guid":{"rendered":"https:\/\/liap.eu\/?p=4761"},"modified":"2018-08-08T11:57:46","modified_gmt":"2018-08-08T09:57:46","slug":"hanna-larsson-2","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/","title":{"rendered":"Hanna Larsson"},"content":{"rendered":"<p><em>Term: August &#8211; October 2018<\/em><\/p>\n<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4758\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web.jpg\" alt=\"\" width=\"198\" height=\"271\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web.jpg 900w, https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web-768x1053.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web-219x300.jpg 219w, https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web-747x1024.jpg 747w\" sizes=\"(max-width: 198px) 100vw, 198px\" \/><\/a><\/p>\n<h4><a href=\"http:\/\/www.hnnlrssn.com\" target=\"_blank\" rel=\"noopener\">www.hnnlrssn.com<\/a><\/h4>\n<p><span lang=\"en-GB\">I work with weaving as an alchemical formula, a thought experiment and a ritual gesture. I am driven by a presence of great sensitivity and tactile sensibility. For me weaving is ambivalent, ambiguous, intense and serious.\u00a0 <\/span><span lang=\"en-GB\">Through the process I use different voices, mime them, translate them and repeat. Every step of weaving and its preparations are repetitive. For me the repetition is ritual, a hymn said over and over, which eventually is expanding beyond the weave and me.<\/span><\/p>\n<p><span lang=\"en-GB\">The point of departure in my current project is in writings of artist Hilma af Klint in relation to ritual weaving in the form of s\u00e9ances. The history of the spinning factory plays an important part.\u00a0 <\/span><span lang=\"en-GB\">Through looking at western spiritual movements from a perspective of materialization, the weaving revolves around one main question of how the dichotomies of embodied experiences and immaterial divinities can be shifted.<\/span><\/p>\n<h4>Education<\/h4>\n<p>MA Fine Arts in Crafts, Academy of Design and Crafts, Gothenburg 2016-2018BA Fine Arts in Crafts with Specialization in Textile Art, Academy of Design and Crafts, Gothenburg 2013-2016<br \/>\nExchange semester, Textile Design, The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, Copenhagen 2015<\/p>\n<h4>Residencies<\/h4>\n<p>Text\u00edlsetur \u00cdslands, Bl\u00f6ndu\u00f3s, Iceland (Upcoming! January-February 2019)<br \/>\nLeipzig International Art Program, Leipzig (Upcoming! August-November 2018)<br \/>\nTakt Artist Residency, Berlin 2017<br \/>\nGuest Weaver at Kolding Design School, Denmark 2016<\/p>\n<h4>Other<\/h4>\n<p>Founder and member of Studio Mesh<br \/>\nI Sin Linda, participating in Birgitta Nordstr\u00f6m&#8217;s research 2016-<\/p>\n<h4>Workshop holder<\/h4>\n<p>Workshop in screenprinting, in collaboration with Designkanalen and Bl\u00e5 St\u00e4llet during Open Week Design Festival, Gothenburg 2017<\/p>\n<h4>Exhibitions<\/h4>\n<p>(duo) A Guaranty of Sanity, with Rebecca Lindsmyr, Gapgap, Leipzig (Upcoming! October 2018)<br \/>\n6 Masters, Almgrens Sidenv\u00e4veri och Museum, Stockholm 2018<br \/>\nHDK Exam Exhibition, Kajskjul 113 Frihamnen, Gothenburg 2018<br \/>\nV\u00e5rsolanche, Galleri Sl\u00e4tten, Malm\u00f6 2018<br \/>\nAnother Space &#8211; Takt Air Berlin Autumn Group Show, Berlin 2017<br \/>\nDen f\u00f6rlorade materialiteten, N\u00e4\u00e4s Konsthantverk, Floda 2017<br \/>\nSkaraborgssalongen, Konstmuseet i Sk\u00f6vde 2017<br \/>\nFruntimmer \u2013 ett sexigt samarbete, A Venue, Gothenburg 2016<br \/>\nHDK Examen, Vasagatan 33, Gothenburg 2016<br \/>\nThe Overview Effect, A Venue, Gothenburg 2015<br \/>\nTextilepidemi, Konstepidemin, Gothenburg 2014<\/p>\n<h4>Grants<\/h4>\n<p>Karna Askers Fond\/G\u00f6teborgs Sl\u00f6jdf\u00f6rening 2018<br \/>\nFabrik\u00f6r J.L. Eklunds Hantverksstiftelse 2017<br \/>\nHelge Ax:son Johnsons Stiftelse 2017, 2018<br \/>\nSl\u00f6jdf\u00f6reningens projektstipendium 2016, 2017<br \/>\nPetersenska Hemmets Stiftelse 2016<br \/>\nAdlerbertska stipendiefonden 2015, 2016<br \/>\nUtbildningsstiftelsens Hantverksstipendium 2014, 2016<br \/>\nEstrid Ericssons Stiftelse 2014, 2017, 2018<\/p>\n<h4>Memberships<\/h4>\n<p>Konstn\u00e4rernas Riksorganisation (KRO)<br \/>\nBildupphovsr\u00e4tt i Sverige<\/p>\n<p>&nbsp;<\/p>\n<p lang=\"en-GB\"><i>Hanna Larsson&#8217;s residency at LIA is supported by:<br \/>\n<\/i><i>Estrid Ericsson Foundation, Helge Ax:son Johnson Foundation, The Hilma af Klint Foundation <\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Term: August &#8211; October 2018 www.hnnlrssn.com I work with weaving as an alchemical formula, a thought experiment and a ritual gesture. I am driven by a presence of great sensitivity and tactile sensibility. For me weaving is ambivalent, ambiguous, intense and serious.\u00a0 Through the process I use different voices, mime them, translate them and repeat.&hellip;<a href=\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Hanna Larsson<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":4758,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[340],"tags":[],"class_list":["post-4761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-2018","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hanna Larsson - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hanna Larsson - LIA\" \/>\n<meta property=\"og:description\" content=\"Term: August &#8211; October 2018 www.hnnlrssn.com I work with weaving as an alchemical formula, a thought experiment and a ritual gesture. I am driven by a presence of great sensitivity and tactile sensibility. For me weaving is ambivalent, ambiguous, intense and serious.\u00a0 Through the process I use different voices, mime them, translate them and repeat.&hellip;Continue readingHanna Larsson\" \/>\n<meta property=\"og:url\" content=\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/\" \/>\n<meta property=\"og:site_name\" content=\"LIA\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/LIAprogramme\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/LIAprogramme\" \/>\n<meta property=\"article:published_time\" content=\"2018-08-08T09:21:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-08-08T09:57:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"1234\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"LIA\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"LIA\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/\"},\"author\":{\"name\":\"LIA\",\"@id\":\"https:\/\/liap.eu\/#\/schema\/person\/6a0bff64f73ff1a6b7e1ccb7faf58204\"},\"headline\":\"Hanna Larsson\",\"datePublished\":\"2018-08-08T09:21:10+00:00\",\"dateModified\":\"2018-08-08T09:57:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/\"},\"wordCount\":408,\"publisher\":{\"@id\":\"https:\/\/liap.eu\/#organization\"},\"image\":{\"@id\":\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/liap.eu\/wp-content\/uploads\/2018\/08\/Hanna-Larsson_portrait-web.jpg\",\"articleSection\":[\"Artists 2018\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/\",\"url\":\"https:\/\/liap.eu\/index.php\/2018\/08\/08\/hanna-larsson-2\/\",\"name\":\"Hanna Larsson - 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