{"id":5087,"date":"2018-11-05T23:25:33","date_gmt":"2018-11-05T22:25:33","guid":{"rendered":"https:\/\/liap.eu\/?p=5087"},"modified":"2018-11-27T11:00:19","modified_gmt":"2018-11-27T10:00:19","slug":"vibeke-frost-andersen-2","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2018\/11\/05\/vibeke-frost-andersen-2\/","title":{"rendered":"Vibeke Frost Andersen"},"content":{"rendered":"
\n

Term: November 2018 \u2013 January 2019<\/em><\/p>\n

\u201cNordic-Leipzig\u201d Stipendiary of the Goethe-Institut<\/p>\n

\"\"<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 <\/a>\"\"<\/a><\/p>\n

Vibeke Frost Andersen’s practice revolves around the topic of landscape. How is the landscape (re)produced and (re)presented, and what traces can be found in it of political and economical processes? She uses publicly available datas and documents together with field inquires as both source and material for her investigations. The process and outcome varies – outdoor
\ninterventions, lens-based representations, text and talks – as attempts to engage with the public
\nrealm.<\/p>\n

Education<\/h4>\n

2014 \u2013 2016 Oslo National Academy of the Arts, MFA Art and Public Space
\n2005 \u2013 2006 \u00d8stfold University College, PGCE, Common Vocational Didactics, Didactics Art and crafts, Didactics Media and Communication.
\n2002 \u2013 2002 Cardiff University, Colour Photography, 20 ECT
\n2001 \u2013 2002 The University of Oslo, Art History
\n1998 \u2013 2001 University of Wales Institute Cardiff, BA (Hons) Graphic Communication
\n1997 \u2013 1998 Falmouth College of Art and Design, BTEC National Diploma, Art and Desig<\/p>\n

Exhibitions<\/h4>\n

2018
\nTenthaus, Oslo: Spring depot II<\/p>\n

2017
\nThe Old Anatomybuilding, Oslo: Oslo Nuit Blanche \/ PRAKSIS and BOA \u2013 Billedkunstnerne i Oslo og Akershus.
\nKrager\u00f8 Council\/ Jomfruland Lighthouse: The Jomfruland Exhibition.<\/p>\n

2016
\nKrager\u00f8 Kunstverein: Surplus Space. Solo exhibition.
\nKrager\u00f8 Kunstforening: Kunstforeningen inviterer.
\nLatvian Centre of Contemporary Art\/ National Art Museum of Ukraine: Identity. Behind the Curtain of Uncertainty. Kuratert av Solvita Krese.
\nOslo National Academy of the Arts: The Silent After. MFA degreeshow. Curator: Eva Gonzales-Sancho.<\/p>\n

2015
\nOutdoor project: Kleiveland, Oster\u00f8y: Demonteringen av monumentet p\u00e5 Kleiveland, The Dismanteling of the Monument at Kleiveland
\nOster\u00f8y Library (commissioner)\/ Outdoor project: Kleiveland, Oster\u00f8y: In One Hundred Years Everything Is Forgotten. With Marie Skeie, Jean Baptiste Beovardi and Kebreab Demeke.<\/p>\n

2014
\nThe River by Torchlight\/ Outdoor project: Akerselva river, Oslo: Closed for Private View. With Marie Skeie and Jean Baptiste Beovardi.
\nKrager\u00f8 Council\/ Jomfruland Lighthouse: The Jomfruland Exhibition.
\nK12, Krager\u00f8: Sharing.<\/p>\n

2013
\nKunstnernes Hus, Oslo: The National Annual Exhibition of Visual Arts.
\nKrager\u00f8 Council: Competition for public commission, by invitation. Not realised.
\nK12, Krager\u00f8: What is Portraiture?<\/p>\n

2012 \u2013 2014
\nOutdoor project: Stilnestangen, Krager\u00f8: The Mobile Garden.<\/p>\n

2011
\nSk\u00e5t\u00f8y Caf\u00e9 og Gallery, Krager\u00f8: Full.
\nArendal Kunstverein, Christianssands Kunstverein and Skien Kunstverein: SThe Annual Regional Exhibition of Visual Art.
\nKrager\u00f8 Council\/ Jomfruland Lighthouse: The Jomfruland Exhibition.
\nCentral Hotel, Krager\u00f8: The Place You Go In When You Go Out.
\nB\u00f8lgeblikk\/ Krager\u00f8 Kunstverein: Advent Exhibition.<\/p>\n

2010
\nKrager\u00f8 Council\/ Jomfruland Lighthouse: The Jomfruland Exhibition.
\nB\u00f8lgeblikk\/ Krager\u00f8 Kunstverein: Autumn Salon.<\/p>\n

2009
\nB\u00f8lgeblikk\/ Krager\u00f8 Kunstverein: Winter Salon.<\/p>\n

2008
\nKrager\u00f8 Council\/ Jomfruland Lighthouse: The Jomfruland Exhibition.
\nOutdoor project: Jomfruland Geopark: The Boat Is Leaving.
\nB\u00f8lgeblikk\/ Haga Inn, Jomfruland: Garbage. Lecture by Lars Vilks and Open Forum.<\/p>\n

2007
\nB\u00f8lgeblikk\/ Krager\u00f8 Kunstverein: Autumn Salon.
\nB\u00f8lgeblikk\/ L\u00f8kka, Krager\u00f8: Freedom or Deception. Seminar with Lotte Konow Lund and Marit Paasche.
\nB\u00f8lgeblikk\/ Krager\u00f8 Kunstverein og The Old Schoolhouse, Jomfruland: Interpreting Kittelsen.<\/p>\n

2006
\nGallery Nicoline\u00b4s House, Krager\u00f8: B\u00f8lgeblikk.<\/p>\n

2004
\nTactile BOSCH Studios, Cardiff: Cohabitation.<\/p>\n

Scholarships and Stipends<\/h4>\n

2018 The Visual Artists Support Fund (BKHF), 1 year working grant.
\n2017 Norwegian Arts Council, Project support
\n2016
\nPRAKSIS Oslo, Artist in residence.
\nNorwegian Arts Council, Project support.
\nFund for Art- and Desig Students, 1st price MA work.
\nThe Visual Artists Support Fund (BKHF), Project support
\n2014
\nAust-Agder Cultural History Centre, Research grant.
\nRogaland County Council Art Stipend, Artist in residence.
\nNorwegian Arts Council, Project support.
\n2011
\nEU funds Coast Alive, Project support.
\nKrager\u00f8 Sparebank (local bank), Project support.<\/p>\n

Publications<\/h4>\n

2016
\nKunst og kultur, 4\/2016, The National Museum of Art, Design and Arcitecture
\nThe Community Mission \u2013 In the Shadow of Digital Reason. Professor Theodor Barth.
\nKrager\u00f8 Blad Vestmar, 20.9\/2016, p 10-11
\nDette er \u00e5rets mest spesielle utstilling i kunstforeningen. Jimmy Aasen.
\nOslo National Academy of the Arts, exhibitioncatalogue
\nThe Silen After. Eva Gonzales-Sancho.
\n2015
\nBergens Tidende, 21.6\/2015, p 38-39
\nB\u00f8kene ved vegs ende. Gudmund Skjeldal.<\/p>\n

Commissions<\/h4>\n

01. 2009 \u2013 present Telemark County Council, Lecturer, National Program for Art in Schools
\n04. 2018 Krager\u00f8 City Council, Artistic consultant, CuratorThe Jomfruland Exhibition 2018.
\n02. 2018 Krager\u00f8 City Council, Artistic consultant, Public art at Sannidal Secondary School.
\n05. 2017 \u2013 01. 2018 Krager\u00f8 Artschool, Head of Curriculum
\n05. 2017 Oslo National Academy of the Arts, Juror Fund for Art- and Desig Students.
\n12. 2016 Atopia, Writer Atopia Kunstlab\/ Per Hess and Nina Bang.
\n11. 2016
\nTenthaus, Writer and panelist, Tenthaus Toolkit: Artists in Schools. Booklaunch and seminar.
\nOslo National Academy of the Arts Guest Lecturer MF A1 and MFA2 Art and Public Space
\n10. 2016 The National Museum of Art, Design and Arcitecture, Artistic consultant
\n08. 2016 Architectural Association School of Architecture, London, Guest Lecturer
\n05. 2016 Oslo National Academy of the Arts, Member of the Admission Committee MFA Art and Public Space.
\n10. 2015 The National Museum of Art, Design and Arcitecture, Artistic consultant
\n05. 2015 Telemark Art Centre, Lecturer Art and Public Space.
\n04. 2015 Lara Almar\u00e7egui, Artist\u00b4s assistant Research for Mineral Rights, Tveitvangen, Kunshaus Baselland.
\n05. 2013 The People\u00b4s University, Lecturer Graphic Design
\n04. 2011 The National Museum of Art, Design and Arcitecture, Lecturer
\n06. 2008 Birkelandavisa, Teacher Layout and design.
\n05. 2008 \u00c5mli Avisa Teacher Layout and design..
\n02. 2002 Royal Welsh College of Music and Drama, Lecturer BA 3 og Post Grad. scenography<\/p>\n

Working Experience<\/h4>\n

02. 2018 \u2013 10. 2018 Oslo National Academy of the Arts, Programcoordinator BA medium- og materialbased Art, Temporary full time position.
\n03. 2012 \u2013 08. 2014 Krager\u00f8 Artschool, Head of Curriculum and Senior Lecturer, Permanent part-time position.
\n08. 2008 \u2013 08. 2013 Krager\u00f8 City Council, Manager, Permanent part-time position.
\n10. 2009 \u2013 02. 2010 Krager\u00f8 High School, Head Teacher Design and Craft, Teacher Printmaking and Photography, Temporary part-time position.
\n08. 2003 \u2013 08. 2006 Skjeberg Folks University, Head Teacher Graphic Design Permanent full time position.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Term: November 2018 \u2013 January 2019 \u201cNordic-Leipzig\u201d Stipendiary of the Goethe-Institut \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Vibeke Frost Andersen’s practice revolves around the topic of landscape. How is the landscape (re)produced and (re)presented, and what traces can be found in it of political and economical processes? She uses publicly available datas and documents…Continue reading<\/span>Vibeke Frost Andersen<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":5085,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[340],"tags":[],"class_list":["post-5087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-2018","tw-meta-no-icon"],"yoast_head":"\nVibeke Frost Andersen - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2018\/11\/05\/vibeke-frost-andersen-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vibeke Frost Andersen - LIA\" \/>\n<meta property=\"og:description\" content=\"Term: November 2018 \u2013 January 2019 \u201cNordic-Leipzig\u201d Stipendiary of the Goethe-Institut \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Vibeke Frost Andersen’s practice revolves around the topic of landscape. 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How is the landscape (re)produced and (re)presented, and what traces can be found in it of political and economical processes? She uses publicly available datas and documents…Continue…","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/5087"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=5087"}],"version-history":[{"count":5,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/5087\/revisions"}],"predecessor-version":[{"id":5110,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/5087\/revisions\/5110"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/5085"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=5087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=5087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=5087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}