{"id":5677,"date":"2019-11-01T17:06:10","date_gmt":"2019-11-01T16:06:10","guid":{"rendered":"https:\/\/liap.eu\/?p=5677"},"modified":"2019-11-04T17:09:08","modified_gmt":"2019-11-04T16:09:08","slug":"joyce-ter-weele","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2019\/11\/01\/joyce-ter-weele\/","title":{"rendered":"Joyce ter Weele"},"content":{"rendered":"<p><em>Term: November 2019 &#8211; January 2020<\/em><\/p>\n<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5673\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait-200x300.jpg\" alt=\"\" width=\"161\" height=\"242\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait-200x300.jpg 200w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait-768x1150.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait-1026x1536.jpg 1026w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait-1368x2048.jpg 1368w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait-1200x1797.jpg 1200w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait-684x1024.jpg 684w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/joyce-ter-weele-portrait.jpg 1464w\" sizes=\"(max-width: 161px) 100vw, 161px\" \/><\/a><\/p>\n<p><strong><a href=\"http:\/\/joyceterweele.com\/\" target=\"_blank\" rel=\"noopener\">www.joyceterweele.com<\/a><\/strong><\/p>\n<p>Curiosity is the key concept in Joyce Ter Weele\u2019s art. Joyce is curious about the practice of combining materials and techniques. Besides this, she arouses both her own and the viewer\u2019s curiosity about the meaning of her work. Joyce is always looking for something new. She does so by using different techniques in her studio. She follows these actions throughout her creative process. Our imagination is stimulated by figurative and abstract forms of which it is not clear how they relate to each other, demonstrated by a wide variety of shades and refined blue-black keys.<\/p>\n<p>Photography plays an important role as well. Joyce incorporated many photographs that she personally took on her travels abroad into her collages and drawings. These almost unrecognizable images are all photos of places that have been abandoned by their former residents. The places have lost their function. Nature takes up space. But does this mean that these places also lose their meaning? Joyce does not explain how she wants us to interpret her work, therefore, we have to do it without any references, titles or notes. As spectators we are given free rein and this allows us to lose ourselves in the landscapes. This is exactly how Joyce relates herself to her work between her studio walls: shuffling, sliding, retrieving and wondering. The result is alienation: we cannot look at her work in a certain way and simply come to an obvious conclusion. She makes us doubt our own observations. Viewed from above, from the viewpoint of e.g. a buzzard, the black areas could be mountains or land, or even a river valley. But seen through a microscope, the form may represent minerals. Perhaps we see galaxies? Or something completely different?<\/p>\n<p>Finally, Joyce\u2019s work provides an environment in which we must divert from our regular patterns. We often too quickly put on understanding. Sometimes it\u2019s perfectly fine not to understand everything. That unknown is more than necessary to expand our known framework. The philosopher Hegel warns us against what he calls \u201cthe calcified\u201d, the only thing we really should be afraid of. If we only want to see what we already know and ignore the unknown, we don\u2019t add anything to our thinking pattern and our personal experiences. In that case we will freeze, we will \u201ccalcify\u201d. Unfilled areas give calmness according to Joyce. Thus, she provides us with conditions for silence. Silence creates meaning; silence meaning more than just the absence of sounds; silence that arises when we do not engage in the aim of benefit and seek for the familiar.<\/p>\n<h4>Education<\/h4>\n<p>Minerva Art Academy Groningen 2011-2015<\/p>\n<h4>Selected exhibitions<\/h4>\n<p>2019 \u2018Een goede start\u2019 Pastel Caf\u00e9bar | Leipzig, Germany<br \/>\n2019 \u20185 jaar melklokaal!\u2019 Melklokaal | Heerenveen<br \/>\n2018 \u2018Streams of Consciousness\u2019 Drawing Centre Diepenheim | Diepenheim<br \/>\n2018 \u2018On Paper\u2019 Gallery Hoorn &amp; Reniers | The Hague<br \/>\n2018 \u2018TorenkamerEXPO Opium\u2019 Vondel CS | Amsterdam<br \/>\n2018 \u2018Een Schop Onder De Ploeg\u2019 Groninger Forum | Groningen<br \/>\n2018 \u2018Drawing estafette\u2019 Minerva | Groningen<br \/>\n2017 \u2018Milkshake 3\u2019 Melklokaal | Heerenveen<br \/>\n2016 \u2018Coba de Groot\u2019 Museum Martena | Franeker | Solo<br \/>\n2016 \u2018Art the Hague\u2019 Gallery Vonkel | The Hague<br \/>\n2016 \u2018Fragments\u2019 Groninger Forum | Groningen | Solo<br \/>\n2016 \u2018Oh natuurlijk\u2019 CBK Groningen<br \/>\n2016 \u2018Behind the visible\u2019 Gallery Vonkel | The Hague | Solo<br \/>\n2016 \u2018Crowned\u2019 World Trade Center | The Hague<br \/>\n2015 \u2018Art The Hague\u2019 Gallery Vonkel | The Hague<br \/>\n2015 \u2018Simmersalon\u2019 Gallery BAS10 | Sneek<br \/>\n2015 \u2018Lichting \u201915\u2019 Gallery Vonkel | The Hague<br \/>\n2015 \u2018Hyper\u2019 Graduation show | Groningen<\/p>\n<h4>Commissioned<\/h4>\n<p>2018 | Zu Hause | Wir Sind Zu Hause<br \/>\n2018 | Mural Project #1 | Kunstplaza Schurer &amp; DRP Bureau<\/p>\n<h4>Awards<\/h4>\n<p>2017 | Nomination STRABAG Art award international 2017 | Austria<br \/>\n2015 | 1st price \u2018Coba de Groot\u2019 Stipendium | The Netherlands<br \/>\n2015 | Nomination Academy price \u2018Klaas Dijkstra\u2019 | The Netherlands<\/p>\n<h4>Artistis residencies<\/h4>\n<p>2020 | GINDS | Amsterdam | The Netherlands <em>(upcoming)<\/em><br \/>\n2019 | Leipzig International Art Programme | Die Spinnerei | Germany<br \/>\n2018 | De Torenkamer | Vondel CS Amsterdam | The Netherlands<br \/>\n2018 | Keep an eye Spacemakers | Gallery Pouloeuff | The Netherlands<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Term: November 2019 &#8211; January 2020 www.joyceterweele.com Curiosity is the key concept in Joyce Ter Weele\u2019s art. Joyce is curious about the practice of combining materials and techniques. Besides this, she arouses both her own and the viewer\u2019s curiosity about the meaning of her work. Joyce is always looking for something new. She does so&hellip;<a href=\"https:\/\/liap.eu\/index.php\/2019\/11\/01\/joyce-ter-weele\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Joyce ter Weele<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":5673,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[422],"tags":[],"class_list":["post-5677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-2019","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Joyce ter Weele - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2019\/11\/01\/joyce-ter-weele\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joyce ter Weele - LIA\" \/>\n<meta property=\"og:description\" content=\"Term: November 2019 &#8211; January 2020 www.joyceterweele.com Curiosity is the key concept in Joyce Ter Weele\u2019s art. Joyce is curious about the practice of combining materials and techniques. Besides this, she arouses both her own and the viewer\u2019s curiosity about the meaning of her work. Joyce is always looking for something new. 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Joyce is curious about the practice of combining materials and techniques. Besides this, she arouses both her own and the viewer\u2019s curiosity about the meaning of her work. Joyce is always looking for something new. She does so&hellip;Continue&hellip;","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/5677"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=5677"}],"version-history":[{"count":2,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/5677\/revisions"}],"predecessor-version":[{"id":5679,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/5677\/revisions\/5679"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/5673"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=5677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=5677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=5677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}