{"id":6133,"date":"2020-02-03T14:25:04","date_gmt":"2020-02-03T13:25:04","guid":{"rendered":"https:\/\/liap.eu\/?p=6133"},"modified":"2020-02-03T14:26:32","modified_gmt":"2020-02-03T13:26:32","slug":"daniela-schwabe","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2020\/02\/03\/daniela-schwabe\/","title":{"rendered":"Daniela Schwabe"},"content":{"rendered":"<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/01\/CAKED_oilpaint-on-canvas_40-x-60-cm_Daniela-Schwabe_2019.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6066\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/01\/CAKED_oilpaint-on-canvas_40-x-60-cm_Daniela-Schwabe_2019-300x221.jpg\" alt=\"\" width=\"300\" height=\"221\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/01\/CAKED_oilpaint-on-canvas_40-x-60-cm_Daniela-Schwabe_2019-300x221.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/01\/CAKED_oilpaint-on-canvas_40-x-60-cm_Daniela-Schwabe_2019-768x565.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/01\/CAKED_oilpaint-on-canvas_40-x-60-cm_Daniela-Schwabe_2019-1024x754.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Term: February 2020 &#8211; June 2020<\/p>\n<p><a href=\"https:\/\/danielaschwabe.nl\/\" target=\"_blank\" rel=\"noopener\">www.danielaschwabe.nl<\/a><\/p>\n<p style=\"font-weight: 400;\">&#8220;In my painting practice I investigate the impact of history and remembrance on a collective level. I use the medium of painting to build a new structure for the reflection of memory and the impact of images on the way memory is conceived. In my paintings, human figures are cut out brutally from their surroundings, portraits are formed of collected images, and the surface of a painting becomes a fa\u00e7ade. Working with these different layers I question the complexity of the real in an age of manufactured copies. Certain images stick with us through time and become icons in the collective memory. I draw parallels and create juxtapositions, between historical facts about war and the notion of my family history, historical traumas and contemporary problems of trustworthiness and value of images.<\/p>\n<p style=\"font-weight: 400;\">Right now, I am working on a series called &#8216;DEEP FAMILY&#8217; in which I work together with designer Casper Schipper and artificial intelligence to visualise the way we perceive family and memory in the light of new technology.&#8221;<\/p>\n<h4>CV<\/h4>\n<p>Winterswijk, 1984 (NL)<\/p>\n<p><strong>Education<br \/>\n<\/strong>2005-2009\u00a0\/ Bachelor Fine Art, ArtEZ University of the Arts, Arnhem (Cum Laude)<\/p>\n<p><strong>Selected exhibitions<br \/>\n<\/strong>2020\u00a0 Deep Family, Dudok de Groot, Amsterdam <strong>NL<\/strong> (solo) (upcoming)<br \/>\n2020\u00a0 Nooit Weer Nie Wieder, Museum Kloster Bentlage, Rheine, <strong>DE<\/strong> (group) (upcoming)<br \/>\n2019\u00a0 Open Studio\u2019s GlogauAIR, Berlin, <strong>DE<\/strong> (group)<br \/>\n2019\u00a0 From Church to Gym to Gallery, Galerie O-68, Velp <strong>NL<\/strong> (group)<br \/>\n2019\u00a0 Acquired Works, De Nederlandsche Bank, Amsterdam <strong>NL<\/strong> (group)<br \/>\n2018\u00a0 Future Memory, Galerie O-68, Velp <strong>NL<\/strong> (solo)<br \/>\n2018\u00a0 Golden Series by O-68, Art The Hague, The Hague <strong>NL<\/strong> (group)<br \/>\n2018\u00a0 Souvenir, Galerie Dudok De Groot, Amsterdam <strong>NL<\/strong> (solo)<br \/>\n2018\u00a0 Mini Solo, Stedelijk Museum, Amsterdam <strong>NL<\/strong> (solo)<br \/>\n2017\u00a0 Painting Performance, ADE, Amsterdam <strong>NL<\/strong> (duo)<br \/>\n2017\u00a0 Patty Morgan, Art Rotterdam, Rotterdam <strong>NL<\/strong> (group)<br \/>\n2016\u00a0 Acquired Works, De Nederlandsche Bank, Amsterdam <strong>NL<\/strong> (group)<br \/>\n2016\u00a0 After the death of James Lee Byars, De Nederlandsche Bank, Amsterdam <strong>NL<\/strong> (group)<br \/>\n2016\u00a0 Daniela Schwabe &amp; Rens Krikhaar, Galerie Bart, Amsterdam <strong>NL<\/strong> (duo)<br \/>\n2015\u00a0 This Art Fair, Beurs van Berlage, Amsterdam <strong>NL<\/strong> (solo)<br \/>\n2015\u00a0 Anonyme Zeichner, Berlin, Braunschweig, R\u00fcsselsheim <strong>DE<\/strong>, Rome IT (group)<br \/>\n2014\u00a0 Art in Redlight, Beurs van Berlage, Amsterdam <strong>NL<\/strong> (solo)<br \/>\n2014\u00a0 Bi\u00ebnnale Gelderland,\u00a0Valkhof Museum, Nijmegen <strong>NL<\/strong> (group)<br \/>\n2014\u00a0 The Eye of The Storm within, Circa.. Dit, Arnhem <strong>NL<\/strong> (solo)<br \/>\n2011\u00a0 Annelien Kers, Open Art Fair, Utrecht <strong>NL<\/strong> (group)<br \/>\n2011\u00a0 Art of Bath, Villeroy &amp; Boch, Brussel <strong>BE<\/strong> (group)<br \/>\n2011\u00a0 Reshape, Retort Artspace, Amsterdam <strong>NL<\/strong> (group)<br \/>\n2010\u00a0 Ongekend, Art Rotterdam, Rotterdam <strong>NL<\/strong> (group)<br \/>\n2009\u00a0 Young Masters @ Auction, Ongekend, Amsterdam <strong>NL<\/strong> (group)<br \/>\n2009\u00a0 Oostenwind, Delta Lloyd Group, Amsterdam <strong>NL<\/strong> (group)<br \/>\n2008\u00a0 Wetpaint 8, Arnhem-D\u00fcsseldorf, Arnhem <strong>NL<\/strong> (group)<br \/>\n2007\u00a0 Wanderwort, CODA Museum, Apeldoorn <strong>NL<\/strong> (group)<\/p>\n<p><strong>Awards \/ Residencies<br \/>\n<\/strong>2020\u00a0 Six month residency at LIA, Leipzig, <strong>DE<\/strong> (upcoming)<br \/>\n2019\u00a0 Project Grand by Gerbrandy Fonds for FUTURE MEMORY, Amsterdam, <strong>NL<br \/>\n<\/strong>2019\u00a0 Project Grand by Mondriaanfonds for FUTURE MEMORY, Amsterdam, <strong>NL<br \/>\n<\/strong>2019\u00a0 Six month residency at GlogauAIR, Berlin, <strong>DE<br \/>\n<\/strong>2018\u00a0 \u2018E\u2019 acquired for collection De Nederlandsche Bank, Amsterdam <strong>NL<br \/>\n<\/strong>2016\u00a0 \u2018NUBE\u2019 acquired for collection De Nederlandsche Bank, Amsterdam <strong>NL<br \/>\n<\/strong>2015\u00a0 Artist in Residence Popps Packing, Detroit <strong>US<br \/>\n<\/strong>2011\u00a0 Curated visit for Plaats Delict, made possible by Mondriaan Fonds, New York <strong>US<br \/>\n<\/strong>2011\u00a0 Artist in Residence at Villeroy &amp; Boch, Mettlach <strong>DE<br \/>\n<\/strong>2010\u00a0 Presentation Artist in Residence, Lusthof, Utrecht <strong>NL<br \/>\n<\/strong>2010\u00a0 Mentoringproject Jan van der Ploeg, Mondriaanfonds <strong>NL<br \/>\n<\/strong>2009\u00a0 Rabobank award, Oostenwind, Delta Lloyd Group, Amsterdam <strong>NL<\/strong><\/p>\n<p><strong>Publications<br \/>\n<\/strong>2019\u00a0 Podcast about Rainbowseries, Uncoated, Berlin <strong>DE<br \/>\n<\/strong>2019\u00a0 Aquired works, Catalogus, DELA <strong>NL<br \/>\n<\/strong>2019\u00a0 Interview, Magazine for art and literature, Pandora <strong>NL<br \/>\n<\/strong>2019\u00a0 Acquired works, Catalogus, De Nederlandsche Bank <strong>NL<br \/>\n<\/strong>2018\u00a0 Article on exhibition at O-68, Het Museumtijdschrift <strong>NL<br \/>\n<\/strong>2018\u00a0 Article \u2018een beetje anarchisme kan geen kwaad\u2019 Arnon Grungberg in het Stedelijk , NRC <strong>NL<br \/>\n<\/strong>2018\u00a0 Spread on exhibition at O-68, Kunstkrant <strong>NL<br \/>\n<\/strong>2017\u00a0 Zinvolle Partnership met Dropbox, online interview, Emerce <strong>NL<br \/>\n<\/strong>2017\u00a0 Creativity Commercial, filmed interview, Dropbox <strong>NL<br \/>\n<\/strong>2016\u00a0 \u2018The Death of James Lee Byars, catalogue, De Nederlandsche Bank <strong>NL<br \/>\n<\/strong>2016\u00a0 Online interview by Maarten Busser, Enny Espace <strong>NL<br \/>\n<\/strong>2014\u00a0 Article on work at Valkhofmuseum, Metropolis M <strong>NL<\/strong><\/p>\n<p><strong>Professional Experience<br \/>\n<\/strong>2017\u00a0 Guest tutor, ArtEZ University of the Arts, Arnhem <strong>NL<br \/>\n<\/strong>2014 \u2013 2017 Assistant, Berend Strik <strong>NL<br \/>\n<\/strong>2012\u00a0 Guest tutor, ArtEZ University of the Arts, Arnhem <strong>NL<br \/>\n<\/strong>2011 \u2013 2012\u00a0 Curator \u2018Plaats Delict\u2019 with Niek Audenaerd, Paraplufabriek, Nijmegen <strong>NL<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Term: February 2020 &#8211; June 2020 www.danielaschwabe.nl &#8220;In my painting practice I investigate the impact of history and remembrance on a collective level. I use the medium of painting to build a new structure for the reflection of memory and the impact of images on the way memory is conceived. In my paintings, human figures&hellip;<a href=\"https:\/\/liap.eu\/index.php\/2020\/02\/03\/daniela-schwabe\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Daniela Schwabe<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6064,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[467],"tags":[],"class_list":["post-6133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-2020","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Daniela Schwabe - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2020\/02\/03\/daniela-schwabe\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Daniela Schwabe - LIA\" \/>\n<meta property=\"og:description\" content=\"Term: February 2020 &#8211; June 2020 www.danielaschwabe.nl &#8220;In my painting practice I investigate the impact of history and remembrance on a collective level. I use the medium of painting to build a new structure for the reflection of memory and the impact of images on the way memory is conceived. 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I use the medium of painting to build a new structure for the reflection of memory and the impact of images on the way memory is conceived. In my paintings, human figures&hellip;Continue&hellip;","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6133"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=6133"}],"version-history":[{"count":1,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6133\/revisions"}],"predecessor-version":[{"id":6134,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6133\/revisions\/6134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/6064"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=6133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=6133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=6133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}