{"id":6146,"date":"2020-02-03T15:27:43","date_gmt":"2020-02-03T14:27:43","guid":{"rendered":"https:\/\/liap.eu\/?p=6146"},"modified":"2020-02-03T15:29:32","modified_gmt":"2020-02-03T14:29:32","slug":"andrew-read-2","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2020\/02\/03\/andrew-read-2\/","title":{"rendered":"Andrew Read"},"content":{"rendered":"

Zeitraum: Februar 2020 – M\u00e4rz 2020<\/p>\n

\"\"<\/a><\/p>\n

www.andrewread.org<\/a><\/p>\n

“Der Ansto\u00df f\u00fcr meine Praxis ist immer eine Fixierung auf die Sprache und die Bilder, die um mich herum verwendet werden, sei es eine Werbung oder ein Aphorismus, der auf eine Toilettenwand gekritzelt ist. Ich leihe mir Details aus dem, was ich jeden Tag sehe und h\u00f6re, und \u00fcberarbeite sie oder rekonfiguriere sie, wobei ich manchmal vertraute Zutaten fremd und neu erscheinen lasse.<\/p>\n

Ich habe Skulpturen von Objekten hergestellt, die in den Nachrichten beobachtet wurden, Gem\u00e4lde, die von Illustrationen aus Katalogen eines Eisenwarenladens und aus der Umgangssprache der sozialen Medien inspiriert wurden, einen Film, der Liedertexte mit Filmmaterial eines japanischen Roboters kombiniert, der f\u00fcr die Ausbildung von Zahn\u00e4rzten gemacht wurde… Ich erkenne Bilder und Worte als Bedeutungstr\u00e4ger und als Werkzeuge der \u00dcberzeugungsarbeit. Sie zu isolieren, zu wiederholen oder nebeneinander zu stellen und sogar ihren Ma\u00dfstab, ihre Proportionen, ihre Materialit\u00e4t usw. zu ver\u00e4ndern, ist f\u00fcr mich eine M\u00f6glichkeit, die Elemente, die unsere Wahrnehmung der Welt um uns herum, der anderen und unserer selbst pr\u00e4gen, spielerisch zu dekonstruieren (und besser zu verstehen).”<\/p>\n

 <\/p>\n

LEBENSLAUF<\/h4>\n

Bildung<\/strong>
\n2015 Bachelor of Fine Arts (Visual Art), Victorian College of the Arts, University of Melbourne<\/p>\n

Ausstellungen<\/strong>
\n2020 Breaking the habit of beinf yourself<\/em>, Discordia Gallery, Melbourne (solo) 2019 Shit that I like<\/em>, Nicholas Projects, Melbourne
\n2019 Soft Limit<\/em>, DAVID, Melbourne (solo)
\n2019 Pictures and Words part I<\/em>, Bus Projects, Melbourne
\n2019 Dogs are playful<\/em>, Neospace, Melbourne
\n2018 The Mule a Thousand Miles From Home<\/em>, Jacombe ARI, Myrniong
\n2018 A hush fell<\/em>, 1-35 Wellington, Melbourne
\n2018 I like anything<\/em>, Tans Martial Arts, Melbourne
\n2016 A Billion Bucks<\/em>, The Honeymoon Suite, Melbourne
\n2015 MacArthur Park<\/em>, Fort Delta, Melbourne
\n2015 Material Image Solutions<\/em>, Fort Delta, Melbourne (solo)
\n2015 VCA Graduate Exhibition<\/em>, Victorian College of the Arts, Melbourne
\n2015 Habitat<\/em>, CalArts Student Gallery, Los Angeles
\n2015 Proud<\/em>, Margret Lawrence Gallery, Melbourne
\n2015 Majlis Travelling Scholarship Exhibition<\/em>, Margret Lawrence Gallery, Melbourne 2015 Conflict of Interest<\/em>, VCA Student Gallery, Melbourne
\n2014 Proud<\/em>, VCA Margret Lawrence Gallery, Melbourne
\n2014 Compromise<\/em>, VCA Student Gallery, Melbourne
\n2014 Reciprocal Failure<\/em>, Goodtime Studios, Melbourne<\/p>\n

Kuratorische Projekte
\n<\/strong>2018 – 2019 Co-director of artist run space, DAVID, Melbourne
\n2019 Dogs are playful<\/em>, Neospace, Melbourne (with Matt Arbuckle)
\n2018 A hush fell<\/em>, 1-35 Wellington, Melbourne (with Hugo Atkins)
\n2018 I like anything<\/em>, Tans Martial Arts, Melbourne (with Matt Arbuckle) 2014 Reciprocal Failure<\/em>, Goodtime Studios, Melbourne (with Andrew Long)<\/p>\n

Residenzen<\/strong>
\n2020 Leipzig International Art Programme (forthcoming) Grants and Awards
\n2015 Majlis Travelling Scholarship (shortlisted) 2013 RMIT Link Arts & Culture Grant<\/p>\n

\n
\n
\n

\u00a0Auszeichnungen<\/strong>
\n2015 Majlis Travelling Scholarship (shortlisted)
\n2013 RMIT Link Arts & Culture Grant<\/p>\n<\/div>\n<\/div>\n<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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Ich leihe mir Details aus dem, was ich jeden Tag sehe und h\u00f6re, und…Continue reading<\/span>Andrew Read<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6143,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[474],"tags":[],"class_list":["post-6146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuenstler-2020","tw-meta-no-icon"],"yoast_head":"\nAndrew Read - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/de\/2020\/02\/03\/andrew-read-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrew Read - LIA\" \/>\n<meta property=\"og:description\" content=\"Zeitraum: Februar 2020 – M\u00e4rz 2020 www.andrewread.org “Der Ansto\u00df f\u00fcr meine Praxis ist immer eine Fixierung auf die Sprache und die Bilder, die um mich herum verwendet werden, sei es eine Werbung oder ein Aphorismus, der auf eine Toilettenwand gekritzelt ist. 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