{"id":6195,"date":"2020-03-20T10:46:54","date_gmt":"2020-03-20T09:46:54","guid":{"rendered":"https:\/\/liap.eu\/?p=6195"},"modified":"2020-03-25T13:16:03","modified_gmt":"2020-03-25T12:16:03","slug":"yoong-chia-chang","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2020\/03\/20\/yoong-chia-chang\/","title":{"rendered":"Yoong Chia Chang"},"content":{"rendered":"<div class=\"entry-content\">\n<p><em>Term:<\/em> March<em> \u2013<\/em> May<em> 2020<\/em><\/p>\n<h4>Pacific-Leipzig stipendiary of the Goethe-Institut<\/h4>\n<p>&nbsp;<\/p>\n<\/div>\n<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6197\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-300x193.jpg\" alt=\"\" width=\"300\" height=\"193\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-300x193.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-768x494.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-1024x659.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6198\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg\" alt=\"\" width=\"179\" height=\"94\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-768x405.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg 900w\" sizes=\"(max-width: 179px) 100vw, 179px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.changyoongchia.net\/\" target=\"_blank\" rel=\"noopener\">www.changyoongchia.net<\/a><\/p>\n<p>\u201cI am trained as a painter but I like to explore the symbolic and alchemistic meaning in common, everyday materials I found around me, even materials that are considered to be useless and thrown away.\u00a0 Using a ritualistic approach to art-making, I transform them into \u2018magical\u2019 objects that encourage contemplation and reflection about the normal things in life and their relationship to our private memories and collective experiences. Materials contain within them histories, be it natural or cultural, that could be unleashed and re-arranged to form new ways of retelling old stories of universal truths. This opens up the possibility to rethink our own everyday existence as something much more profound, layered in meanings and potential.<\/p>\n<p>My process of art-making is consciously slow, labor intensive and repetitive. I do this everyday that it has become my ritual. I do this as a counterpoint to the fast-paced, modern lifestyle we live in. Only when we slow down; look, touch and feel, does an alternate life reveal itself to us.\u201d<\/p>\n<h4><strong>CV<\/strong><\/h4>\n<p>b.1975, Kuala Lumpur<br \/>\nDiploma in Fine Art (Major in Painting), Malaysian Institute of Art<\/p>\n<p><strong>Selected Solo Exhibitions<\/strong><\/p>\n<p>2019 Floating World, a site-specific intervention on Kyuyorin Cafe, Shiraoi, Japan<br \/>\n2018 Chang Yoong Chia: Second Life, Mid-career survey exhibition, National Art Gallery, Kuala Lumpur, Malaysia<br \/>\n2018 How Are You? I Am Well, A+ Works of Art, Kuala Lumpur, Malaysia<br \/>\n2017 Second Life, Hokkaido University of Education Gallery, Sapporo, Japan<br \/>\n2016 Body of Water, Art-U Room, Tokyo, Japan.<br \/>\n2013 Immortal Beloved, Richard Koh Fine Art, Malaysia<br \/>\n2011 The World is Flat, Richard Koh Fine Art, Singapore<br \/>\n2009 The 2nd Seven Years: Quilt of the Dead, Flora &amp; Fauna IV, Narratives, The Annexe Gallery, Kuala Lumpur<\/p>\n<p><strong>Selected Group Exhibitions<\/strong><\/p>\n<p>2018 People\u2019s Marchings in May, Seonygoun Gallery, Gwangju, Korea<br \/>\n2017 KL Biennale, National Art Gallery, Kuala Lumpur, Malaysia<br \/>\n2016 Asia Contemporary Art Exhibition 2016 &#8211; ASIA YOUNG 36, Jeonbuk Museum of Art, South Korea<br \/>\n2015 Open Sea, Musee d\u2019Art Contemporain du Lyon, France<br \/>\n2013 Welcome to the Jungle, Yokohama Museum of Art, Japan &amp; Contemporary Art Museum, Kumamoto, Japan<br \/>\n2014 Journey, Israel Museum, Jerusalem, Israel<br \/>\n2011 2nd Chongqing Youth Biennale, Sichuan Fine Art Institute, Chongqing, China<br \/>\n2010 14th Bangladesh Asian Art Biennale, Dhaka, Bangladesh<br \/>\n2007 Discovery of May, 5.18 Memorial Foundation, Gwangju, Korea<br \/>\n2005 3rd Fukuoka Asian Art Triennale, Japan<\/p>\n<p><strong>Public Collections<\/strong><\/p>\n<p>National Art Gallery, Malaysia<br \/>\nCentral Bank of Malaysia<br \/>\nSingapore Art Museum<br \/>\nGwangju City Art Museum, South Korea<br \/>\nJeonbuk Art Museum, South Korea<\/p>\n<p><strong>Artist Residence<\/strong><\/p>\n<p>2019 Uymam Project Artist Residency, Shiraoi, Japan<br \/>\n2017 Second AIR, S-Air Artist Residency Program, S-Air, Sapporo, Japan<br \/>\n2014 Re:Engage: The People\u2019s Court, Georgetown, Penang, Malaysia, Run &amp; Learn, Japan Foundation<br \/>\n2012 1 Shanthi Road Artist Residency, Bangalore, India<br \/>\n2010 Artist residency in Pinyao, China<br \/>\n2010 Valentine Willlie Fine Art &amp; Tembi Contemporary artist residency<br \/>\nYogyakarta, Indonesia<br \/>\n2008 JENESYS Program, Sapporo Artist in Residence &amp; Japan Foundation, Tokyo, Japan<br \/>\n2008 WANAKIO, Meijima Art Center, Okinawa, Japan<br \/>\n2007 Art as Environment in Tropic of Cancer artist-in-residence, Chiayi county, Taiwan<br \/>\n2007 Ujiae Art Studio Artist Residency, Gwangju, Korea<br \/>\n2006 Rimbun Dahan Artist Residency , Rimbun Dahan, Kuang, Malaysia<br \/>\n2006 C21 Residency, Blackburn, United Kingdom<\/p>\n<p><strong>Award<\/strong><\/p>\n<p>Finalist, APT SIGNATURE ART PRIZE 2011 juried by Fumio Nanjo, Ranjit Hoskote, Gregor Muir, Tan Boon Hui and Hendro Wiyanto, Singapore Art Museum, Singapore.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Term: March \u2013 May 2020 Pacific-Leipzig stipendiary of the Goethe-Institut &nbsp; www.changyoongchia.net \u201cI am trained as a painter but I like to explore the symbolic and alchemistic meaning in common, everyday materials I found around me, even materials that are considered to be useless and thrown away.\u00a0 Using a ritualistic approach to art-making, I transform&hellip;<a href=\"https:\/\/liap.eu\/index.php\/2020\/03\/20\/yoong-chia-chang\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Yoong Chia Chang<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6196,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[467,7],"tags":[],"class_list":["post-6195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-2020","category-general","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - 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