{"id":6206,"date":"2020-03-20T10:50:17","date_gmt":"2020-03-20T09:50:17","guid":{"rendered":"https:\/\/liap.eu\/?p=6206"},"modified":"2020-03-25T13:27:53","modified_gmt":"2020-03-25T12:27:53","slug":"yoong-chia-chang-2","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2020\/03\/20\/yoong-chia-chang-2\/","title":{"rendered":"Yoong Chia Chang"},"content":{"rendered":"<div class=\"entry-content\">\n<p><em>Zeitraum:<\/em> M\u00e4rz<em> \u2013<\/em> Mai<em> 2020<\/em><\/p>\n<h4>Pacific-Leipzig Stipendiat des Goethe-Instituts<\/h4>\n<p>&nbsp;<\/p>\n<\/div>\n<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6197\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-300x193.jpg\" alt=\"\" width=\"300\" height=\"193\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-300x193.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-768x494.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/2009-the-nutcracker-1024x659.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6198\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg\" alt=\"\" width=\"179\" height=\"94\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-768x405.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg 900w\" sizes=\"(max-width: 179px) 100vw, 179px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.changyoongchia.net\/\" target=\"_blank\" rel=\"noopener\">www.changyoongchia.net<\/a><\/p>\n<p>\u201eIch bin ausgebildete Maler, aber ich erkunde gerne die symbolische und alchemistische Bedeutung der gemeinsamen, allt\u00e4glichen Materialien, die ich um mich herum gefunden habe, selbst Materialien, die als nutzlos und weggeworfen gelten.\u00a0 Mit einem rituellen Ansatz verwandle ich sie in &#8220;magische&#8221; Objekte, die zur Kontemplation und zum Nachdenken \u00fcber die normalen Dinge des Lebens und ihre Beziehung zu unseren privaten Erinnerungen und kollektiven Erfahrungen anregen. Die Materialien enthalten Geschichten, seien es nat\u00fcrliche oder kulturelle, die entfesselt und neu arrangiert werden k\u00f6nnten, um neue Wege zu finden, alte Geschichten \u00fcber universelle Wahrheiten neu zu erz\u00e4hlen. Dies er\u00f6ffnet die M\u00f6glichkeit, unsere eigene Alltagsexistenz als etwas viel Tiefgr\u00fcndigeres neu zu denken, geschichtet in Bedeutungen und Potenzial.<\/p>\n<p>Mein Prozess des Kunstmachens ist bewusst langsam, arbeitsintensiv und repetitiv. Ich tue dies jeden Tag, weil es zu meinem Ritual geworden ist. Ich tue dies als Kontrapunkt zu dem schnellen, modernen Lebensstil, den wir leben. Nur wenn wir langsamer werden, schauen, ber\u00fchren und f\u00fchlen, offenbart sich uns ein alternatives Leben.\u201c<\/p>\n<h4><strong>LEBENSLAUF<\/strong><\/h4>\n<p>-b.1975, Kuala Lumpur\u2028-Diploma in Fine Art (Major in Painting), Malaysian Institute of Art<\/p>\n<p><strong>Einzelausstellungen<\/strong><br \/>\n2019 Floating World, a site-specific intervention on Kyuyorin Cafe, Shiraoi, Japan<br \/>\n2018 Chang Yoong Chia: Second Life, Mid-career survey exhibition, National Art Gallery, Kuala Lumpur, Malaysia<br \/>\n2018 How Are You? I Am Well, A+ Works of Art, Kuala Lumpur, Malaysia<br \/>\n2017 Second Life, Hokkaido University of Education Gallery, Sapporo, Japan<br \/>\n2016 Body of Water, Art-U Room, Tokyo, Japan.<br \/>\n2013 Immortal Beloved, Richard Koh Fine Art, Malaysia<br \/>\n2011 The World is Flat, Richard Koh Fine Art, Singapore\u20282009 The 2nd Seven Years: Quilt of the Dead, Flora &amp; Fauna IV, Narratives, The Annexe Gallery, Kuala Lumpur<\/p>\n<p><strong>Gruppenausstellungen<\/strong><br \/>\n2018 People\u2019s Marchings in May, Seonygoun Gallery, Gwangju, Korea<br \/>\n2017 KL Biennale, National Art Gallery, Kuala Lumpur, Malaysia<br \/>\n2016 Asia Contemporary Art Exhibition<br \/>\n2016 &#8211; ASIA YOUNG 36, Jeonbuk Museum of Art, South Korea<br \/>\n2015 Open Sea, Musee d\u2019Art Contemporain du Lyon, France<br \/>\n2013 Welcome to the Jungle, Yokohama Museum of Art, Japan &amp; Contemporary Art Museum, Kumamoto, Japan<br \/>\n2014 Journey, Israel Museum, Jerusalem, Israel<br \/>\n2011 2nd Chongqing Youth Biennale, Sichuan Fine Art Institute, Chongqing, China<br \/>\n2010 14th Bangladesh Asian Art Biennale, Dhaka, Bangladesh<br \/>\n2007 Discovery of May, 5.18 Memorial Foundation, Gwangju, Korea<br \/>\n2005 3rd Fukuoka Asian Art Triennale, Japan<\/p>\n<p><strong>\u00d6ffentliche Sammlung<\/strong><br \/>\nNational Art Gallery, Malaysia<br \/>\nCentral Bank of Malaysia<br \/>\nSingapore Art Museum<br \/>\nGwangju City Art Museum, South Korea<br \/>\nJeonbuk Art Museum, South Korea<\/p>\n<p><strong>K\u00fcnstlerresidenzen\u2028<\/strong><br \/>\n2019 Uymam Project Artist Residency, Shiraoi, Japan<br \/>\n2017 Second AIR, S-Air Artist Residency Program, S-Air, Sapporo, Japan<br \/>\n2014 Re:Engage: The People\u2019s Court, Georgetown, Penang, Malaysia, Run &amp; Learn, Japan Foundation<br \/>\n2012 1 Shanthi Road Artist Residency, Bangalore, India<br \/>\n2010 Artist residency in Pinyao, China<br \/>\n2010 Valentine Willlie Fine Art &amp; Tembi Contemporary artist residency\u2028Yogyakarta, Indonesia<br \/>\n2008 JENESYS Program, Sapporo Artist in Residence &amp; Japan Foundation, Tokyo, Japan<br \/>\n2008 WANAKIO, Meijima Art Center, Okinawa, Japan<br \/>\n2007 Art as Environment in Tropic of Cancer artist-in-residence, Chiayi county, Taiwan<br \/>\n2007 Ujiae Art Studio Artist Residency, Gwangju, Korea<br \/>\n2006 Rimbun Dahan Artist Residency , Rimbun Dahan, Kuang, Malaysia<br \/>\n2006 C21 Residency, Blackburn, United Kingdom<\/p>\n<p><strong>Auszeichnung<\/strong><br \/>\nFinalist, APT SIGNATURE ART PRIZE 2011 juried by Fumio Nanjo, Ranjit Hoskote, Gregor Muir, Tan Boon Hui and Hendro Wiyanto, Singapore Art Museum, Singapore.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zeitraum: M\u00e4rz \u2013 Mai 2020 Pacific-Leipzig Stipendiat des Goethe-Instituts &nbsp; www.changyoongchia.net \u201eIch bin ausgebildete Maler, aber ich erkunde gerne die symbolische und alchemistische Bedeutung der gemeinsamen, allt\u00e4glichen Materialien, die ich um mich herum gefunden habe, selbst Materialien, die als nutzlos und weggeworfen gelten.\u00a0 Mit einem rituellen Ansatz verwandle ich sie in &#8220;magische&#8221; Objekte, die zur&hellip;<a href=\"https:\/\/liap.eu\/index.php\/de\/2020\/03\/20\/yoong-chia-chang-2\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Yoong Chia Chang<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6196,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[21,474],"tags":[],"class_list":["post-6206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuenstler","category-kuenstler-2020","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - 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