{"id":6215,"date":"2020-03-23T11:26:43","date_gmt":"2020-03-23T10:26:43","guid":{"rendered":"https:\/\/liap.eu\/?p=6215"},"modified":"2020-03-25T13:23:14","modified_gmt":"2020-03-25T12:23:14","slug":"le-hien-minh","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2020\/03\/23\/le-hien-minh\/","title":{"rendered":"Le Hien Minh"},"content":{"rendered":"

Term:<\/em> March \u2013<\/em> May 2020<\/em><\/p>\n

Pacific-Leipzig Stipendiary of the Goethe-Institut<\/h4>\n

\"\"<\/a>\"\"<\/a><\/p>\n

www.lehienminh.com<\/a><\/p>\n

“For over sixteen years, my artwork has been created using Vietnamese traditional handmade D\u00f3 paper.\u00a0I use this paper to create large scale sculptural installations, which is a departure from the traditional use of D\u00f3 paper in Vietnamese art. This paper is, made from the bark of the D\u00f3 tree, used to make woodcut folk prints called\u00a0\u0110\u00f4ng H\u1ed3. This type of folk print is believed to have existed since the 11th century.<\/p>\n

My philosophy is that all things are always in a state of flux, either evolving or devolving. As a human being our body and mind are forever changing. The body is subject to growth and decline, while the mind is constructed and deconstructed. Living things, when they die return to their basic building blocks, such as dirt, water, air, ect. All of which will help generate and support other life. The universe is forming and at the same time dissipating. Nothingness is not a void but instead alive with possibility. New things emerge from nothingness.<\/p>\n

My practice culminates in an expression that all things are always in a state of flux, either evolving or devolving. The work is either in the state of being made by the artist or in a state of being unmade by nature. But at the same time, we can\u2019t really determine by casual observation whether the work is in the evolving or devolving mode. This is the core of my practice.”<\/p>\n

CV<\/strong><\/h4>\n

Solo Exhibitions<\/strong>
\n2019 \u00a0 Five Questions, Myorakuji Temple, Fukuoka, Japan
\n2013 \u00a0 D\u00f310, Ho Chi Minh City Fine Art museum, Ho Chi Minh City, Vietnam
\n2012 \u00a0 B\u1ed1 H\u1ea1o, Viet Nam Fine Art museum, Hanoi, Vietnam
\n2007 \u00a0 Le Hien Minh, Vietart Center, Hanoi, Vietnam
\n2003 \u00a0 Untitled, Mai Gallery, Ho Chi Minh City, Vietnam<\/p>\n

Selected Group Exhibitions<\/strong>
\n2020 \u00a0 Five Questions, Fukuoka Asian Art Museum, Fukuoka, Japan
\n2019 \u00a0 Infinity, 25th Hakata Tomyo Festival, Fukuoka, Japan
\nVenus, Art Omi, New York, USA
\nDivine Feminine, Sculpture Expanded, Helsinki, Finland
\n2018 \u00a0 Bodies Survey(ed), San Art, Ho Chi Minh city, Vietnam
\n2017 \u00a0 bugs, birds.. equations of the future, MoT+++, Ho Chi Minh city, Vietnam
\nHome | Land, Taiwan Annual, Taipei, Taiwan
\nKe: History of Now, Wedeman Gallery, Massachusetts, USA
\n2016 \u00a0 Hat | Tim, Dia Project, Ho Chi Minh city, Vietnam
\nCon Lai | Roi rac, Joan Flasch Artists\u2019 Book Collection, Chicago, USA<\/p>\n

Selected Publications&Media<\/strong>
\n2020 \u00a0 The 79th Issue, Fukuoka Asian Art Museum Publication, by Takako Kinoshita
\n2019 \u00a0 Sculpture Expanded, The Association of Finnish Sculptors, by Tiina Ver\u00e4j\u00e4nkorva
\n2018 \u00a0 Bodies Survey(ed), San Art Publication, by Nguyen Hoang Quyen
\n2017 \u00a0 Vietnam, Art Asia Pacific Almanac, by Ruben Luong Power Woman, Harper\u2019s Bazaar, by Linh Le
\n2016 \u00a0 Hat | Tim, Art Asia Pacific, by Dave Willis<\/p>\n

Lectures\u2028<\/strong>
\n2019 \u00a0 Fukuoka Asian Art Museum, Fukuoka, Japan
\nSan Jose Museum of Art, San Jose, USA<\/p>\n

Awards\/Grants<\/strong>
\n2020 \u00a0 Goethe-Institut Vietnam
\n2019 \u00a0 Asian Cultural Council
\n2018 \u00a0 Finnish Cultural Foundation
\n2010 \u00a0 Vermont Studio Center, Johnson, Vermont, USA
\n2009 \u00a0 International Women\u2019s Artist Biennale, \u201cSo Close Yet So Far Away\u201d, South Korea<\/p>\n

Residencies<\/strong>
\n2020 \u00a0 Leipzig International Art Programme, Leipzig, Germany
\n2019 \u00a0 Fukuoka Asian Art Museum, Fukuoka, Japan
\n2010 \u00a0 Vermont Studio Center, Johnson, Vermont, USA<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Term: March \u2013 May 2020 Pacific-Leipzig Stipendiary of the Goethe-Institut www.lehienminh.com “For over sixteen years, my artwork has been created using Vietnamese traditional handmade D\u00f3 paper.\u00a0I use this paper to create large scale sculptural installations, which is a departure from the traditional use of D\u00f3 paper in Vietnamese art. This paper is, made from the…Continue reading<\/span>Le Hien Minh<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[23,467],"tags":[],"class_list":["post-6215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-artists-2020","tw-meta-no-icon"],"yoast_head":"\nLe Hien Minh - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2020\/03\/23\/le-hien-minh\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Hien Minh - LIA\" \/>\n<meta property=\"og:description\" content=\"Term: March \u2013 May 2020 Pacific-Leipzig Stipendiary of the Goethe-Institut www.lehienminh.com “For over sixteen years, my artwork has been created using Vietnamese traditional handmade D\u00f3 paper.\u00a0I use this paper to create large scale sculptural installations, which is a departure from the traditional use of D\u00f3 paper in Vietnamese art. 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