{"id":652,"date":"2017-03-21T17:41:42","date_gmt":"2017-03-21T16:41:42","guid":{"rendered":"http:\/\/liap.eu\/?p=652"},"modified":"2017-03-21T17:56:49","modified_gmt":"2017-03-21T16:56:49","slug":"r-e-p-group","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2017\/03\/21\/r-e-p-group\/","title":{"rendered":"R.E.P. Group"},"content":{"rendered":"

<\/a>R.E.P. Group (Revolutionary Experimental Space) aus Kiew, Ukraine,\u00a0 werden die n\u00e4chsten zwei Monate im LIA leben und arbeiten. Die Gruppe, die bereits seit mehreren Jahren zusammen arbeitet, ist in Deutschland noch relativ unbekannt. Mit ihren Aktionen kritisieren sie den (internationalen) Kunstbetrieb und unsere heutige Konsumgesellschaft.<\/p>\n


\nNikita Kadan<\/strong>
\nBorn 26.11.1982
\nEducation:
\n1998 – 2001 – Taras Shevchenko State Art School.
\n2001 – 2007 – National Academy of Fine Art and Architecture, painting<\/p>\n

Olesya Khomenko<\/strong>
\nBorn 26.11.1980
\nEducation:
\n1991 – 1998 – Taras Shevchenko State Art School.
\n1998 – 2004 – National Academy of Fine Art and Architecture, painting<\/p>\n

Volodymyr Kuznetsov<\/strong>
\nBorn 18.09.1976
\nEducation:
\n1999 – 2005 – Lviv Academy of Art, art textile<\/p>\n

Zhanna Kadyrova<\/strong>
\nBorn 07. 07. 1981
\nEducation:
\n1992 – 1999 – Taras Shevchenko State Art School.<\/p>\n

Ksenia Gnylitska<\/strong>
\nBorn 18. 06.1984
\nEducation:
\n1999 – 2002 – Taras Shevchenko State Art School.
\n2003 – present time – National Academy of Fine Art and Architecture, painting<\/p>\n

Lada Nakonechna<\/strong>
\nBorn 19. 03. 1981
\nEducation:
\n1996 – 2000 – Dnipropetrovsk State Art college,
\n2000 – 2006 – National Academy of Fine Art and Architecture, free graphic<\/p>\n

PROJECTS<\/strong>
\n2008<\/strong><\/p>\n

“Alphabetical Order”, Index, Stockholm, Sweden<\/p>\n

“No
\nMore Reality – Crowd and Performance: demonstration, public space, use
\nof body”, De Apple Institute, Amsterdam, The Netherlands<\/p>\n

“International Biennale of Young Art”, Moscow, Russia<\/p>\n

“Checkpoint”, F.A.I.T. Gallery, Cracow, Poland<\/p>\n

Satellite Tunes”, Hungarian University of Fine Arts, Budapest, Hungary<\/p>\n

2007<\/strong><\/p>\n

“The Art World” , Feinkost gallery, Berlin, Germany
\n“Communities: ukrainian young artists”, Arsenal gallery, Bialostok, Poland
\n\u201cConsequences and Proposals\u201d, Biennale of young artists, Tallinn, Estonia
\n“Contemporary art Norwich”, Norwich, England
\n\u201cUkrainian pavilion. Berlin\u201d Bereznitsky gallery, Berlin<\/p>\n

\u201cPatriotism\u201d, Capsula gallery, Rome, Italy<\/p>\n

\u201cGinnungagap\/Pavilion of Belief\u201d Presentation of \u201cIm Regierungsviertel\u201d gallery in time of 52 Venice Biennale, Venice, Italy<\/p>\n

\u201cA poem about an inland sea\u201d In collaboration with Mark Titchner. Ukrainian pavilion on 52 Venice Biennale, Venice, Italy
\n\u201cCritically in between\u201d, Special project of \u201cArt-Athina\u201d fair, Athens, Greece<\/p>\n

\u201cProgressive nostalgia\u201d Centro Luigi Pecci, Prato, Italy<\/p>\n

\u201cFrom Kosovo to Kaliningrad\u201d Third Prague Biennale of Contemporary Art, Prague, Czech Republic
\n\u201cReturn of memory\u201d, KUMU museum, Tallinn, Estonia<\/p>\n

\u201cCommunities project\u201d, Center for Contemporary Art at National University Kyiv Mohya Academy, Kyiv, Ukraine<\/p>\n

\u201cPetroliana. Oil patriotism\u201d, Second Moscow Biennale of Contemporary Art, Moscow Museum for Contemporary Art, Moscow, Russia<\/p>\n

2006<\/strong><\/p>\n

\u201cTesting station\u201d, Ukrainian contemporary art, projekt of R.E.P. group, \u201cSkulpturens Hus\u201d, Stockholm, Sweden<\/p>\n

\u201cHot \/ Cool Ukraine\u201d, project of young Ukrainian artists + project of R.E.P. group, Moscow Center of Art, Moscow, Russia<\/p>\n

\u201cPatriotism tomorrow\u201d Wyspa institute for contemporary art, Gdansk, Poland
\nFestival of Contemporary Art in Shargorod; Ukraine
\n\u201cR.E.P. party\u201d, performance in public space, Kyiv, Ukraine<\/p>\n

\u201cContested Spaces in Post-Soviet Art\u201d, Sidney Mishkin Gallery, New York, USA<\/p>\n

\u201cR.E.P. gallery\u201d, performance in public space, Kyiv, Ukraine<\/p>\n

\u201cIntervention\u201d, CSW Zamek Ujazdowski, Warsaw, Poland<\/p>\n

\u201cTerytoria\u201d, Center of culture in Lublin, Poland<\/p>\n

\u201cNew communities\u201d Caucasian biennale, Tbilisi
\n\u201cDo You?!\u201d, Zeh gallery, Kyiv, Ukraine<\/p>\n

\u201cLirnyk\u201d, projekt of R.E.P. group, Festival of Performances in Ukraine, Kyiv, Ukraine<\/p>\n

\u201cPostorange\u201d, Kunsthalle, Wien, Austria<\/p>\n

\u201cTeam Colours\u201d, F.A.I.T. gallery, Krakow, Poland<\/p>\n

\u201cUkrainian Hermitage\u201d , Center for Contemporary Art at National University Kiev Mohyla Academy, Kyiv, Ukraine<\/p>\n

\u201cOpen laboratory\u201d, Center for Contemporary Art at National University Kiev Mohyla Academy, Kyiv, Ukraine<\/p>\n

\u201cFast art\u201d, performance in public space. Coctebel, Crimea, Ukraine.
\n\u201cControl\u201d, Center for Contemporary Art at National University Kyiv Mohyla Academy, Kyiv, Ukraine<\/p>\n

\u201cWe will R.E.P. you\u201d, performance in public space, Kyiv, Ukraine<\/p>\n

\u201cMr. President\u201d, perfomance, Center for Contemporary Art at National University Kiev Mohyla Academy, Kyiv, Ukraine<\/p>\n

\u201cOnly here! Only now!\u201d, performance in public space, Kyiv, Ukraine, political action in field, performance, Kyiv, Ukraine<\/p>\n

\u201cBroading of Mind\u201d, performance in public space, Kyiv, Ukraine<\/p>\n

\u201cUkrainian Art and the Orange Revolution\u201d, Ukrainian Institute of Modern Art, Chicago. U.S.A.
\n\u201cIntervention\u201d, Center for Contemporary Art at National University Kyiv Mohyla Academy, Kyiv, Ukraine<\/p>\n

2004<\/strong><\/p>\n

\u201cRevolutionary Experimental Space\u201d, Center for Contemporary Art at National University Kyiv Mohyla Academy, Kyiv, Ukraine<\/p>\n","protected":false},"excerpt":{"rendered":"

R.E.P. Group (Revolutionary Experimental Space) aus Kiew, Ukraine,\u00a0 werden die n\u00e4chsten zwei Monate im LIA leben und arbeiten. Die Gruppe, die bereits seit mehreren Jahren zusammen arbeitet, ist in Deutschland noch relativ unbekannt. Mit ihren Aktionen kritisieren sie den (internationalen) Kunstbetrieb und unsere heutige Konsumgesellschaft. Nikita Kadan Born 26.11.1982 Education: 1998 – 2001 – Taras…Continue reading<\/span>R.E.P. Group<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":653,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[123],"tags":[],"class_list":["post-652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuenstler-2008","tw-meta-no-icon"],"yoast_head":"\nR.E.P. 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Nikita Kadan Born 26.11.1982 Education: 1998 – 2001 – Taras…Continue…","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/652"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=652"}],"version-history":[{"count":8,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/652\/revisions"}],"predecessor-version":[{"id":664,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/652\/revisions\/664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/653"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}