{"id":6856,"date":"2020-08-04T18:13:55","date_gmt":"2020-08-04T16:13:55","guid":{"rendered":"https:\/\/liap.eu\/?p=6856"},"modified":"2020-08-04T18:13:55","modified_gmt":"2020-08-04T16:13:55","slug":"jakub-tajovsky","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2020\/08\/04\/jakub-tajovsky\/","title":{"rendered":"Jakub Tajovsk\u00fd"},"content":{"rendered":"

Zeitraum: August 2020 – September 2020<\/em><\/p>\n

In Koopertion mit:
\nBrno University of Technology & Stadt Leipzig und Referat Internationale Beziehungen<\/p>\n

\"\"<\/a>\u00a0\u00a0 <\/a>\"\"\"\"<\/a><\/p>\n

www.tajovskyjakub.com<\/a><\/strong><\/p>\n

Jakub Tajovsk\u00fd erforscht die Malmedien als Werkzeuge der “kreativen Technologie”. Dank seiner historischen Tradition umfasst die Malerei viele bew\u00e4hrte Methoden zur Konstruktion und Komposition eines Bildes. Jakub Tajovsk\u00fd sucht die Verbindung der Malerei mit anderen Medien. In den experimentellen Figuren verbindet er die historischen Rezepturen und Methoden der Malerei mit der zeitgen\u00f6ssischen Herangehensweise an Materialgestaltung oder visuelle Technologien.<\/p>\n

Neben der physischen Malerei arbeitet er in der Expo_dist. Die digitale Plattform, die in Verbindung mit der Malerei mit anderen Disziplinen und der Zusammenarbeit mit anderen K\u00fcnstlern eine Art hybride Realit\u00e4t entdeckt.<\/p>\n

Gegenw\u00e4rtig forscht er im Rahmen seiner Doktorarbeit \u00fcber Maltechniken und Innovationen. Im Rahmen seiner Forschungen hat er die Open-Source-Datenbank Dispersanto.com gegr\u00fcndet – eine Plattform f\u00fcr die dezentralisierte Malereipraxis, bei der die Technologien in ihrer Ausgereiftheit den unterschiedlichen Bed\u00fcrfnissen und Priorit\u00e4ten folgen als ihre wissenschaftliche und industrielle Abteilung.<\/p>\n

Bildung und Residenzen
\n<\/strong>2017-2021; FAVU BUT, Brno; PhD research in painting technologies
\n2011-2017 ; FAVU BUT Brno; painting studio of\u00a0 Petr Kv\u00ed\u010dala\u00a0 \u00a0 2010- 2011; Philosophical faculty MU Brno; Esthetics
\n2019\u00a0 \u00a0Residence, Adr\u0161pach, Galerie Luxfer
\n2015- 2016; FAVU BUT v Brn\u011b; Ateli\u00e9r mal\u00ed\u0159stv\u00ed Lu\u010fka Rathousk\u00e9ho
\n2014; Universidade Catolica; Porto, Portugal<\/p>\n

Einzelausstellungen<\/strong>
\n2020 These woods are where the silence has come to lick its wounds; Karlin studios, Prague
\n2020 Synthetic landscape;\u00a0 Galerie FAVU,\u00a0 Brno
\n2019 Eye trap; Galerie 209, Galerie 209, Brno
\n2019 Syntetick\u00e1 krajina; vyn\u00e1lez p\u0159\u00edrody, Galerie U Prstenu, Prague
\n2019 Stereo, Stereovinylshop, Brno
\n2018 Perplex, Galerie Luxfer, \u010cesk\u00e1 Skalice
\n2017 Local memory is penetrated with strangers; Vila P651, Prague
\n2017 Odrazy; Galerie Doma; Kyjov
\n2017\u00a0 Black mirror,;SOLO offspace, Brno
\n2016\u00a0 Expo_dist, Industra, Brno
\n2016\u00a0 Letnice; T\u0159i oc\u00e1sci. Brno
\n2016\u00a0 Pseudomalba, Pod palmovkou, Prague
\n2015\u00a0 Flow; N\u00e1rodn\u00ed divadlo Reduta, Brno
\n2014\u00a0 Play; UCP galery, Portugal
\n2013\u00a0 Laserzen;\u00a0 AM3, Brno
\n\u00a0<\/strong>
\nGruppenausstellungen<\/strong>
\n2019 KUNST.NETZ.EUROPA; Gyula P\u00e1l,\u00a0Ny\u00edregyh\u00e1za, Hungary
\n2019 Nult\u00e1 generace; Diod, Jihlava
\n2018 Hybridart Entre\u00e9; Bratislava, Warszaw, Prague, Krakow, P\u00e9cs, Lubla\u0148
\n2017 Ripple Effect; Futura, Prague
\n2016 Salon Artikl; Fait Gallery, Brno
\n2016 Bl\u00edzk\u00e9 setk\u00e1n\u00ed, Galerie Mlad\u00fdch
\nTIC, Brno (with Jozef Mrva)
\n2015 \u010cERN\u00dd KON\u011a, Adam galery Brno
\n2015\u00a0 TY\u010cKit; Galerie Umakart Brno
\n2014\u00a0 Prototyp: Richard Adam Gallery, Brno
\n2014\u00a0 Ergasmus; Rua Avenida, Lisabon, Portugalsko
\n2014\u00a0 Rehabilitace; Nemocnice Zahradn\u00edkova Brno
\n2013\u00a0 M\u00edsto obrazu; Galerie Aula, Brno
\n2012\u00a0 2B2A; Galerie My\u0161ina, Brno
\n2012\u00a0 AM3; Pas\u00e1\u017e Alfa, Brno<\/p>\n

Festivals<\/strong>
\n2020 Expo_dist, Synthetic landscape, Uroboros festival, DOX Prague<\/p>\n","protected":false},"excerpt":{"rendered":"

Zeitraum: August 2020 – September 2020 In Koopertion mit: Brno University of Technology & Stadt Leipzig und Referat Internationale Beziehungen \u00a0\u00a0 www.tajovskyjakub.com Jakub Tajovsk\u00fd erforscht die Malmedien als Werkzeuge der “kreativen Technologie”. Dank seiner historischen Tradition umfasst die Malerei viele bew\u00e4hrte Methoden zur Konstruktion und Komposition eines Bildes. Jakub Tajovsk\u00fd sucht die Verbindung der Malerei…Continue reading<\/span>Jakub Tajovsk\u00fd<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6848,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[1,21,474],"tags":[],"class_list":["post-6856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-kuenstler","category-kuenstler-2020","tw-meta-no-icon"],"yoast_head":"\nJakub Tajovsk\u00fd - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/de\/2020\/08\/04\/jakub-tajovsky\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jakub Tajovsk\u00fd - LIA\" \/>\n<meta property=\"og:description\" content=\"Zeitraum: August 2020 – September 2020 In Koopertion mit: Brno University of Technology & Stadt Leipzig und Referat Internationale Beziehungen \u00a0\u00a0 www.tajovskyjakub.com Jakub Tajovsk\u00fd erforscht die Malmedien als Werkzeuge der “kreativen Technologie”. 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Dank seiner historischen Tradition umfasst die Malerei viele bew\u00e4hrte Methoden zur Konstruktion und Komposition eines Bildes. Jakub Tajovsk\u00fd sucht die Verbindung der Malerei…Continue…","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6856"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=6856"}],"version-history":[{"count":2,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6856\/revisions"}],"predecessor-version":[{"id":6858,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6856\/revisions\/6858"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/6848"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=6856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=6856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=6856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}