{"id":6859,"date":"2020-08-04T18:13:21","date_gmt":"2020-08-04T16:13:21","guid":{"rendered":"https:\/\/liap.eu\/?p=6859"},"modified":"2020-08-04T18:13:21","modified_gmt":"2020-08-04T16:13:21","slug":"michelle-eistrup-3","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/de\/2020\/08\/04\/michelle-eistrup-3\/","title":{"rendered":"Michelle Eistrup"},"content":{"rendered":"<p><em>Zeitraum: August 2020 \/ Oktober 2020<br \/>\n<\/em><\/p>\n<p><em>Nordic-Leipzig Stipendiat des Goethe-Instituts<\/em><\/p>\n<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-24-a-las-23.02.39.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6739\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-24-a-las-23.02.39-300x158.png\" alt=\"\" width=\"336\" height=\"177\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-24-a-las-23.02.39-300x158.png 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-24-a-las-23.02.39-768x404.png 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-24-a-las-23.02.39-1024x539.png 1024w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-24-a-las-23.02.39.png 1145w\" sizes=\"(max-width: 336px) 100vw, 336px\" \/>\u00a0<\/a><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6198\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg\" alt=\"\" width=\"194\" height=\"102\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-768x405.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg 900w\" sizes=\"(max-width: 194px) 100vw, 194px\" \/><\/a><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/05\/Danish-Arts-Foundation_logo_1600px.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6820\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/05\/Danish-Arts-Foundation_logo_1600px-212x300.jpg\" alt=\"\" width=\"69\" height=\"98\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/05\/Danish-Arts-Foundation_logo_1600px-212x300.jpg 212w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/05\/Danish-Arts-Foundation_logo_1600px-768x1089.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/05\/Danish-Arts-Foundation_logo_1600px-722x1024.jpg 722w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/05\/Danish-Arts-Foundation_logo_1600px.jpg 1128w\" sizes=\"(max-width: 69px) 100vw, 69px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.michelleeistrup.com\/Artist.asp?ArtistID=32148&amp;Akey=FGYAF5RY\" target=\"_blank\" rel=\"noopener\"><strong>www.michelleeistrup.com<\/strong><\/a><\/p>\n<p>Michelle Eistrup ist eine bildende K\u00fcnstlerin, die haupts\u00e4chlich in den Bereichen Video, Fotografie und Ton arbeitet. Sie ist in Jamaika, Paris und New York aufgewachsen und wohnt derzeit mit ihrer Familie in D\u00e4nemark. Sie hat einen MFA von der Royal Academy of Arts in Kopenhagen und einen BA vom Haverford College, Pennsylvania. In ihrer Praxis erforscht sie die Geschichte, die Hinterlassenschaften und die Leugnung\/Abwesenheit des Kolonialismus anhand von vier \u00fcbergreifenden Themen: Identit\u00e4t und Ausdruck der afrikanischen Diaspora, Politik der Anerkennung, Dynamik des Isolationismus und verk\u00f6rperte Riten und Rituale. Sie ist in einer pulsierenden globalen Kunstszene verwurzelt, hat international ausgestellt und BAT, Bridging Art and Text, kuratiert.<br \/>\nW\u00e4hrend ihres Aufenthaltes in Leipzig wird Michelle ihre Forschungen aus ihrem fr\u00fcheren Projekt In the Deep Underground and Up Above fortf\u00fchren und die Stalagmiten-Suspensionstherapie &#8211; In the Stone entwickeln. Eistrup wird mit dem Terra Mineralia Institut, Bergakademie Freiberg, zusammenarbeiten. Ein Teil dieser Untersuchung wird n\u00e4chstes Jahr in der Ausstellung Sprachlosigkeit im Japanischen Palais ausgestellt, die von L\u00e9ontine Meijer-van Mensch, Direktorin, und Barbara H\u00f6ffe, Kuratorin der Staatlichen Kunstsammlungen Dresden, kuratiert wird. In Zukunft werden In the Deep Underground and Up Above und Stalagmite Suspension Therapy &#8211; In the Stalagmite &#8211; In the Stone zu einem noch zu best\u00e4tigenden Termin im Terra Mineralia Institute, Freiberg, ausgestellt werden. In the Deep Underground and Up Above wurde bereits in Australien, in der AGWA, der National Gallery of Western Australia und im ArtGeo Cultural Institute, Busselton, gezeigt.<\/p>\n<p><strong>Ausbildung und Beruf<br \/>\n<\/strong><\/p>\n<p>Present-2007 Part time Visual Arts teacher, The National Museum of Arts, Cph, ULK, and Children Workshops, www.smk.dk The Royal Academy of Arts, Media Arts School, Copenhagen,Dk.<\/p>\n<p><strong> Ausstellungen und Filmvorf\u00fchrungen<br \/>\n<\/strong><\/p>\n<p>2018 Release of BAT Bridging Art + Text Publication, CAMP, Trampoline House, Cph, Dk.<br \/>\n2017 Poor and Needy as part of The Great Poor Farm Experiment IIX., Wisconsin, USA. Curated by Yvette Brackman and Lise Baggesen.<br \/>\n2017 Group Show: Nordic Delights, Fotografisk Center, Copenhagen. Curated by Marianne Hultman (Norway), Kristine Kern, (Denmark), and Anna-Kaisa Rastenberger (Finland).<br \/>\n2016 THIS PARTICULAR MASQUERADE, unmasked, Nordic Delights; Oslo Kunstforening, Oslo, Norway and Kalmar Art Museum, Kalmar, Sweden. Curated by Marianne Hultman (Norway), Kristine Kern, (Denmark), and Anna-Kaisa Rastenberger (Finland).<br \/>\n2016 Poor and Needy as part of The Great Poor Farm Experiment IIX., Wisconsin, USA. Curated by Yvette Brackman and Lise Baggesen.<br \/>\n2016 THE STATE OF PAN-AFRICANISM in AFRICA, and I AM JUST LISTENING, Ultra contemporary #Emergency Art, Museum of African Design(MOAD), Johannesburg, South Africa. Curated by Thierry Geoffroy\/ COLONEL and by Tijana Miskovic.<br \/>\n2014 PITCH MOLDED ANIMABILITY, La Maison Rouge et bleu. Curated by Vibe Bredahl, Berlin, Germany.<br \/>\n2014 WILD AS THE WIND, Pingyao Photo Festival, Pingyao China. Curated by Beate Cegielskia.<br \/>\n2014 FORGOTTEN, Possesion: Art, Power and Black Womanhood, Curated by Dr. Temi Odomosu, New Shelter Plan Artspace, Cph, DK.<br \/>\n2014 TOO LONG ARE OUR MEMORIES, and BORDERS, NotAboutKarenBlixen,Organized by Grethe Hald, IKM, Oslo. Norway. In collaboration with James Muriuki.<br \/>\n2013 AMNESIA, Zeigen. An Audio tour through Copenhagen by Karin Sander, Nikolaj Kunsthallen, Denmark.<br \/>\n2013 THIS PARTICULAR MASQUERADE, unmasked, Curator Grethe Hald, Haugaur Museum, Vestfold, Tr\u00f8mso, Norway. TOO LONG ARE OUR MEMORIES In collaboration with James Muriuki, IKM, Oslo, Norway.<br \/>\n2013 PITCH MOLDED ANIMABILITY Part 1 + WILD AS THE WIND, Rendezvous with Nature, Curated by Beate Cegielska, Northern Photographic Centre, Finland.<br \/>\n2013 PITCH MOLDED ANIMABILITY Part 1 + WILD AS THE WIND, Beate Cegielska, Photon Galerija, Ljubljana, 2012 WILD AS THE WIND, Galleri Image, Supermarket 2013, Stockholm, Independent Art Fair, Sweden.<br \/>\n2013 TOO LONG ARE OUR MEMORIES, 1:54 Contemporary Art Fair, London, England<br \/>\n2013 WILD AS THE WIND, Galleri Image, Supermarket 2013, Stockholm, Independent Art Fair, Sweden.<br \/>\n2013 TOO LONG ARE OUR MEMORIES, and BORDERS, in collaboration with James Muruiki(Kenya),Naturama, Fyn, Denmark.<br \/>\n2011 WILD AS THE WIND, SOLO Feb- Mar, The National Museum of Arts, Childrens\u2019 Room, Copenhagen.<br \/>\n2011 TOO LONG ARE OUR MEMORIES, and Generous Gestures, Den Fri Udstillingsbygning. TOO 2011 LONG ARE OUR MEMORIES, BAC , Visby, Sweden. TOO LONG ARE OUR MEMORIES, The 3rd All ArtNow New Media Art Festival 2011, Syria.<br \/>\n2010 TOO LONG ARE OUR MEMORIES, in collaboration with James Muruiki(Kenya), NotAboutKarenBlixen, Karen Blixen Museum, Rungstedlund, and RaMoMA, Kenya. BORDERS, in collaboration with J. Muruiki, NotAboutKarenBlixen, RaMoMA, Nairobi.<br \/>\n2010 WILD AS THE WIND, SOLO, Gallery Image, Aarhus.<\/p>\n<p><strong>Residenzen<\/strong><\/p>\n<p>2018 SPACED 3, IAS, Busselton, Western Australia.<br \/>\n2015 Botkyrka Residency for the new solo show in collaboration with the Museum of Ethnography, Stockholm, Sweden.<br \/>\n2013 Alice Yard, Production Residency for production of Pitch Molded Animability<br \/>\nPortes et Passages, Joal, Senegal.<\/p>\n<p><strong>Stipendien und F\u00f6rderungen<\/strong><\/p>\n<p>2018<br \/>\nKULTURSTYRELSEN towards one month residency in Spinnerei, LIA Leipzig, Germany<br \/>\nKULTURSTYRELSEN towards the production of Deep in the Underground and Up above and towards 2 months residency in Busselton, Australia.<br \/>\n2016<br \/>\nAkademiraadets Underst\u00f8ttelsesfond<br \/>\nSTATENS KUNSTFONDEN, one year working grant.<br \/>\nKULTURSTYRELSEN toward travel to Poor and Needy Exhibit. KULTURSTYRELSEN toward travel and participation Ultra contemporary #Emergency Art, Museum of African Design(MOAD), Johannesburg, South Africa.<br \/>\n2014<br \/>\nKULTURSTYRELSEN INTERNATIONAL AND NATIONAL DANISH ART FOUNDATION, towards the production of Wild as the Wind, Pingyao China.<br \/>\n2013<br \/>\nKULTURSTYRELSEN INTERNATIONAL AND NATIONAL DANISH ART FOUNDATION, towards the production of This Particular Masquerade, Unmasked. KULTURSTYRELSEN INTERNATIONAL DANISH ART FOUNDATION, towards residency at Alice Yard in Trinidad.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zeitraum: August 2020 \/ Oktober 2020 Nordic-Leipzig Stipendiat des Goethe-Instituts \u00a0 www.michelleeistrup.com Michelle Eistrup ist eine bildende K\u00fcnstlerin, die haupts\u00e4chlich in den Bereichen Video, Fotografie und Ton arbeitet. Sie ist in Jamaika, Paris und New York aufgewachsen und wohnt derzeit mit ihrer Familie in D\u00e4nemark. Sie hat einen MFA von der Royal Academy of Arts&hellip;<a href=\"https:\/\/liap.eu\/index.php\/de\/2020\/08\/04\/michelle-eistrup-3\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Michelle Eistrup<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[1,21,474],"tags":[],"class_list":["post-6859","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-kuenstler","category-kuenstler-2020","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Michelle Eistrup - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/de\/2020\/08\/04\/michelle-eistrup-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Michelle Eistrup - LIA\" \/>\n<meta property=\"og:description\" content=\"Zeitraum: August 2020 \/ Oktober 2020 Nordic-Leipzig Stipendiat des Goethe-Instituts \u00a0 www.michelleeistrup.com Michelle Eistrup ist eine bildende K\u00fcnstlerin, die haupts\u00e4chlich in den Bereichen Video, Fotografie und Ton arbeitet. Sie ist in Jamaika, Paris und New York aufgewachsen und wohnt derzeit mit ihrer Familie in D\u00e4nemark. 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Sie ist in Jamaika, Paris und New York aufgewachsen und wohnt derzeit mit ihrer Familie in D\u00e4nemark. Sie hat einen MFA von der Royal Academy of Arts&hellip;Continue&hellip;","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6859"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=6859"}],"version-history":[{"count":3,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6859\/revisions"}],"predecessor-version":[{"id":8985,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6859\/revisions\/8985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/6736"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=6859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=6859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=6859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}