{"id":6887,"date":"2020-08-04T18:39:53","date_gmt":"2020-08-04T16:39:53","guid":{"rendered":"https:\/\/liap.eu\/?p=6887"},"modified":"2020-08-17T14:57:38","modified_gmt":"2020-08-17T12:57:38","slug":"abdallah-karkout","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2020\/08\/04\/abdallah-karkout\/","title":{"rendered":"Abdallah Karkout"},"content":{"rendered":"

Term: August 2020 <\/em><\/p>\n

\"\"<\/a><\/p>\n

ww.abdallahkarkout.wixsite.com<\/strong><\/a><\/p>\n

Abdallah Karkout is an experienced experimental artist, who has been practicing and running studio workshops and university courses, and lecturing for many years. From Theory to materials and techniques, Abdallah\u2019s practicing and teaching cover a wide range of genres; drawing, painting, printmaking, sculpture and music. As a part of a growing collective cultural project, he is expanding his \u201cMarsam\u201d studio project, which has been established in the Middle East since (2004). It adopts a special developed method intended for art students at all levels of experience, and aspires to create an alternative cultural space outside the conventional sphere, and independently from the \u2019\u2019art market\u2019\u2019 place and the local institutional authorities. The aim is to share knowledge and joy of research with apprentices and colleagues. \u201c The idea of\u00a0 \u2018Artist\u2019 in its modern sense in the Middle East, is a \u2018Westernized\u2019 one that came along with the colonization of culture and was adopted by a class of supremacist bourgeoisie. Which has contributed to the alienation of art from its natural \u2018organic\u2019 environment. He comes from aculture which involves visionand imagery in the language of everyday life.\u00a0 Arabic language has a poetic quality in its very nature. Historically speaking, poetry played an important role in Arabic culture, and to be a poet was considered a very important skill that a person must possess. Therefore, this art has been woven into people\u2019s life, enrichingit with imagery and images. A sensory language came out of this, and an instant interplay between this language and imagination would emerge when a person (or a poet) has to reflect acurrent experience. Despite of the possible analogical relation between the narrative elements and the visual elements of a given experience, a visual experience is still autonomous and totally independent, giving the priority to it sown visual element. A visual experience, while its how interest in the surface of the observed object (the experienced), it\u2019s still more concerned with the inner constancy of it. It is an experience which is beyond vision. It\u2019s the natural consequence of the interaction of the human senses involved in the experience. It deals with the subjective as a reflection of the objective, but starting from the subjective. It seeks the objective (the source), coming again as a new reflection, arriving at a new subjective level, where the subjective starts to blend with the objective through an infinite series of mirroring process between the two.<\/p>\n

A poet once said: \u2018Poetry is the elimination of the spoken\u2019 Accordingly, the act of making or creating of the image is an activity by which the creator invites the listener or the viewer to establish.<\/p>\n

“For I\u2019ve been always fascinated with the \u2019\u2019untold\u2019\u2019. For me what makes one language special is not what you say when you use this language, but it\u2019s what you don\u2019t say which gives it its unique quality.\u2019”<\/p>\n

CV<\/strong><\/p>\n

TEACHING EXPERIENCE<\/strong>
\nTeaching at The Faculty of Fine Arts, Damascus University
\n(2013) Contributed in establishing the practical curriculums for the Faculty of Fine Arts in Swaida,
\nDamascus University
\n(since 2004) Teaching music, drawing, painting, printmaking and sculpture at \u201cMarsam\u201d studio project in Syria, Dubai and other places
\n(since 2015) Directing \u201cMarsam\u201d online art educational platform
\n(2015\u20132016)\u00a0 Freelancer artist,art teacher and lecturer in U.A.E
\n(since 2015) Art educator, instructor and lecturer in Sweden and Germany
\n(2017) Residency and Exhibition at KKV, Bohusl\u00e4n A member in Konstn\u00e4rernas Kollektivverkstad Bohusl\u00e4n<\/em>
\n(2018) Head teacher, The Art School in N\u00e5s, Dalarna, Sweden
\n(2019) Academy of Fine Arts HGB, Leipzig. \u201cAuthenticity,\u00a0 Authority,\u00a0 Artist\u201d<\/p>\n

SELECTED EXHIBITIONS<\/strong>
\n(2004) French Cultural Centre in Damascus, exhibition of the workshop with the French artist Pierre Palas\u00a0 on Mural Painting
\n(2005,2007,2011) Arab Cultural Centre, three collective exhibitions, Swaida
\n(2006) French Cultural Week in Swaida, joint exhibition
\n(2007) Faculty of Fine Arts, Damascus,
\n(2008) The First Exhibition for Graduates French Cultural Centrein Damascus, collective exhibition
\n(2008) Goethe Institute in Damascus, exhibition of the workshop on Constructing and Assembling done with the German artist Ernest Hesse
\n(2009)\u00a0Arabic Cultural Centrein Mazza, Damascus, exhibition for the UNDP
\n(2012) Marsam Studio, Swaida, solo exhibition
\n(2017) Stensalen KKV Bohusl\u00e4n, Sweden
\n(2017) Glasgalleriet, Ludvica, Sweden
\n(2018) Mora Kulturhus, Sweden, Solo exhibition<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Term: August 2020 ww.abdallahkarkout.wixsite.com Abdallah Karkout is an experienced experimental artist, who has been practicing and running studio workshops and university courses, and lecturing for many years. From Theory to materials and techniques, Abdallah\u2019s practicing and teaching cover a wide range of genres; drawing, painting, printmaking, sculpture and music. As a part of a growing…Continue reading<\/span>Abdallah Karkout<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6889,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[23,467],"tags":[],"class_list":["post-6887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-artists-2020","tw-meta-no-icon"],"yoast_head":"\nAbdallah Karkout - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2020\/08\/04\/abdallah-karkout\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Abdallah Karkout - LIA\" \/>\n<meta property=\"og:description\" content=\"Term: August 2020 ww.abdallahkarkout.wixsite.com Abdallah Karkout is an experienced experimental artist, who has been practicing and running studio workshops and university courses, and lecturing for many years. 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