{"id":6909,"date":"2020-08-26T14:40:40","date_gmt":"2020-08-26T12:40:40","guid":{"rendered":"https:\/\/liap.eu\/?p=6909"},"modified":"2020-08-26T14:40:40","modified_gmt":"2020-08-26T12:40:40","slug":"sam-clague-2","status":"publish","type":"post","link":"https:\/\/liap.eu\/index.php\/2020\/08\/26\/sam-clague-2\/","title":{"rendered":"Sam Clague"},"content":{"rendered":"<p><em>Term :<span class=\"Apple-converted-space\">\u00a0September 2020 &#8211; November 2020<\/span><\/em><\/p>\n<p>Pacific-Leipzig stipendiary of the Goethe-Institut<\/p>\n<p><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/DSC_0133.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6918\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/DSC_0133-300x201.jpg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/DSC_0133-300x201.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/DSC_0133-768x514.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2019\/11\/DSC_0133.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6198\" src=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg\" alt=\"\" width=\"216\" height=\"114\" srcset=\"https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-300x158.jpg 300w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund-768x405.jpg 768w, https:\/\/liap.eu\/wp-content\/uploads\/2020\/03\/1200px-Logo_GoetheInstitut_2011_Hintergrund.jpg 900w\" sizes=\"(max-width: 216px) 100vw, 216px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.samclague.co.nz\"><span style=\"color: #ff0000;\"><strong>www.samclague.co.nz<\/strong><\/span><\/a><\/p>\n<p>Working in painting, sculpture, installation, video, and sound. The whole bit.<\/p>\n<p>Clague\u2019s works are elisions in the true sense of the word: as aporia, an irresolvable internal contradiction that gets to the heart of what it means to both reject and join forces with our turbid desires. Perhaps it\u2019s something like the poet Anne Waldman describes when she takes on the dark spirit of Richard Nixon during a fire puja ceremony: in order to generate more compassion for the world we have to let in the negative energies as well as the positive.<\/p>\n<p><span style=\"color: #000000;\"><strong>CV<\/strong><\/span><\/p>\n<p><b>EDUCATIONS AND RESIDENCES<br \/>\n<\/b><\/p>\n<p>BFA Hons (1st Class, majoring in oil painting) University of Canterbury School of Fine Arts, Christchurch<\/p>\n<p>BFA (majoring in oil painting), University of Canterbury School of Fine Arts, Christchurch<\/p>\n<p><b>EXHIBITIONS<\/b><\/p>\n<p>2020 <b><i>Drink The Ocean <\/i><\/b>(solo), RM Gallery, Auckland, NZ<br \/>\n2020 <b><i>TRAUMDENKEN 2000 <\/i><\/b>(duo), Meanwhile Gallery, Wellington, NZ<br \/>\n2020 <b><i>You Can\u2019t Beat A River Into Submission <\/i><\/b>(trio), Tanner St Studios, Christchurch, NZ<br \/>\n2019 <b><i>A Hundred Rivers Collapse Upon Me<\/i><\/b> (solo), Sos\u00e2ge Gallery, Auckland, NZ<br \/>\n2019 <b><i>RM Summer Residency Presentation<\/i><\/b>, RM Project Space, Auckland, NZ<br \/>\n2018 <b><i>Abject Failure<\/i><\/b> (curated by Chloe Geoghegan), Hastings City Gallery, NZ<br \/>\n2018<b> <i>Taste Nature<\/i><\/b> (solo), Ilam SoFA Campus Gallery, Christchurch, NZ<br \/>\n2017 <b><i>The Tomorrow People<\/i><\/b> (group), The Adam Art Gallery, Wellington, NZ<br \/>\n2017 <b><i>Post Late Pleasure Garden<\/i><\/b> (solo), DIRT Gallery, Dunedin, NZ\/Online<br \/>\n2017 <b><i>Impact<\/i> <\/b>(solo), Corner Gallery, Auckland, NZ<br \/>\n2017 <b><i>Big Spread<\/i> <\/b>(group), NEXT Gallery, Christchurch, NZ<br \/>\n2017 <b><i>[sic]<\/i> <\/b>(duo), Chambers 241, Christchurch, NZ<br \/>\n2016 <b><i>John Fries Finalist Exhibition<\/i><\/b>, UNSW Gallery, Sydney, Australia<br \/>\n2016 <b><i>It, Going On<\/i><\/b> (group), LOG Recording, Christchurch, NZ (self organized and curated)<br \/>\n2015 <b><i>Digiteel<\/i><\/b>, The Casting Room, University of Canterbury, Christchurch, NZ<br \/>\n2015, <b><i>Summer Gala<\/i><\/b> (group fundraising exhibition), North Projects, Christchurch, NZ<\/p>\n<p><b>PRESS<\/b><\/p>\n<p>2018 Kotlarczyk, A. <i>I, Us, Them: A dark triad, radiating out from a centre and closing in<\/i>, http:\/\/www.artandaustralia.com\/online\/discursions\/i-us-them-dark-triad-radiating-out-centre-and-closing<br \/>\n2018 Geoghegan, C. <i>It&#8217;s the end of the world as we know it<\/i> (produced for <i>Taste Nature<\/i> Ilam exhibition catalogue), https:\/\/www.chloegeoghegan.com\/its-the-end-of-the-world\/<br \/>\n2017 Geoghegan, C. <i>Murmurings and Millennials: A Review of The Tomorrow People,<\/i> http:\/\/pantograph-punch.com\/post\/review-tomorrow-people<\/p>\n<p><b>AWARDS<\/b><\/p>\n<p>Exhibiting Finalist \u2013 Molly Morpeth Canaday \u2013 Painting and Printmaking Award 2017<br \/>\nExhibiting Finalist \u2013 John Fries Award 2016<br \/>\nExhibiting Finalist \u2013 Molly Morpeth Canaday \u2013 Painting and Printmaking Award 2016<br \/>\nExhibiting Finalist \u2013 Parkin Drawing Prize 2016<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Term :\u00a0September 2020 &#8211; November 2020 Pacific-Leipzig stipendiary of the Goethe-Institut www.samclague.co.nz Working in painting, sculpture, installation, video, and sound. The whole bit. Clague\u2019s works are elisions in the true sense of the word: as aporia, an irresolvable internal contradiction that gets to the heart of what it means to both reject and join forces&hellip;<a href=\"https:\/\/liap.eu\/index.php\/2020\/08\/26\/sam-clague-2\/\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Sam Clague<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":6914,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[23,467,7],"tags":[],"class_list":["post-6909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-artists-2020","category-general","tw-meta-no-icon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sam Clague - LIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/liap.eu\/index.php\/2020\/08\/26\/sam-clague-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sam Clague - LIA\" \/>\n<meta property=\"og:description\" content=\"Term :\u00a0September 2020 &#8211; November 2020 Pacific-Leipzig stipendiary of the Goethe-Institut www.samclague.co.nz Working in painting, sculpture, installation, video, and sound. 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The whole bit. Clague\u2019s works are elisions in the true sense of the word: as aporia, an irresolvable internal contradiction that gets to the heart of what it means to both reject and join forces&hellip;Continue&hellip;","_links":{"self":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6909"}],"collection":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/comments?post=6909"}],"version-history":[{"count":6,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6909\/revisions"}],"predecessor-version":[{"id":6959,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/posts\/6909\/revisions\/6959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media\/6914"}],"wp:attachment":[{"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/media?parent=6909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/categories?post=6909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liap.eu\/index.php\/wp-json\/wp\/v2\/tags?post=6909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}