Currently living and working between London (UK) and Rimini (IT). Working with paint, collage and sound, Vonbrota’s work addresses the excess of imagery and information that surrounds us and reflects on the psychic catastrophe, mental and planetary exhaustion that we experience in our age. Through painting and composing found images, her works create hallucinatory realms and chaotic narratives, where photographic images and visionary landscapes mix. Her practice references the wide texture of Italian and European painting in a dialogue that reflects on the timeless duality of humanity, where images of violence are mixed with laughter, orgies and nonsense, in a parody of the pathetic, hilarious, tragic and the epic at the same time. A journey of humanity through history and time.

Born 1981 in  Tønsberg ,  Norway. Live and work in The Hauge, The Nederlands. Line Gulsett`s work is a reference to both pollution and a perilous path.  One could say that Gulsett's method of combining the figurative and the abstract on one canvas is a dangerous path itself. Especially when none of her pieces seem to offer a satisfying answer to the questions of either representation of reality, or the loss thereof. But the title primarily refers to a bigger threat than that of a representational artistic practice. Many works are an investigation into the erosion of social cohesion. Gulsett feels that from childhood on human contact gradually diminishes, inherently damaged by the com-fortable distances of modern communication.

Born 1978 in New York. Lives and works in Brooklyn, New York.

Charlotte Segall (b. 1983) is an American artist, living and working in New York City.  She grew up in the Southern 'bible belt,' then studied at the Savannah College of Art and Design, and expects to earn her MFA from the New York Academy of Art in 2016, for which she has received the President's Scholarship, the David Kratz and Gregory Unis Scholarship, as well and the Francis and Leslie Posey Award.  Charlotte's work appears in the 86th issue of New American Paintings, as well as the 2014 Aesthetica Art Prize Anthology (UK), among others.  Her work is exhibited at Allouche Gallery in Manhattan and also appears in the Allouche Collection alongside key historical figures such as Jean-Michel Basquiat and Andy Warhol.  She participated in the Triangle Arts Association Workshop in Dumbo in 2012 and as a fellow at the Vermont Studio Center in 2010, as well as the Summer 2015 Leipzig International Art Programme with sponsorship from NYAA. Charlotte is best known for her drawings and paintings of Baroque-inflected forms that she derives from the romantic twists of sheep's wool, combined often with human and animal form in explosive compositions.  Her unique vision proposes 'playful abjection,' where both overwhelming possibility and impending death are felt too much at once, and with a smile.

Canadian artist Adam Lupton's gaze explores psychological and sociological struggles in contemporary society. Blurring lines between realism and expressionism helps Lupton probe the internal and external dialogue faced in his multi-directional narratives. Adam Lupton holds his Bachelors of Communication Design from Emily Carr University or Art and Design, having graduated in 2010, and is currently enrolled at The New York Academy of Art for his Master of Fine Arts.

Lives and works in New York. He is currently studing MA at New York Academy of Art.

Born 1960, Melbourne, Australia
. He lives and works in Melbourne, Australia. In 1980 he has received his Bachelor of Fine Art in Painting at RMIT. In 
1982 he has received his Post Graduate Diploma of Fine Art as well in Painting, VCA, Melbourne.

Mitja Ficko belongs to the generation of artists who graduated from the Ljubljana Academy of Art and Design in the late 1990s and became actively involved in the Slovene art scene at the start of the new millennium. This generation of painters responded to the notion of “new” painting in very different ways – by, on the one hand, continuing the tradition of the postmodern deconstruction of the hermetic and exalted status of the art image, or on the other, establishing intermedial dialogues and incorporating mass-culture image-making and the pop aesthetic in their work. Ficko pursued a third way, one that, fully aware of the limitless game of signifiers, references, and recycling and still greatly influenced by the “new image,” was interested in creating intimate personal worlds, poetics, and stories.

 Kylie Lefkowitz attended The School of Visual Arts, (NY, NY), obtaining a BFA through the department of Visual and Critical Studies. She is based out of the NY/NJ area, but travels as often as possible studying various languages and cultures, and doing artist residencies. She works as an artist, writer, art educator, gallery manager, hair stylist, and model. She has done various studio residencies with the following galleries/art spaces: Index Art Center, Newark NJ; Solo(s) Project House, Newark, NJ; Gallery Aferro, Newark, NJ; Gowanus Print Lab, Brooklyn, NY;  Her work is in the permanent collection of the MoMA Library; NY, NY.

Andrea Garcia Vasquez is a structural fiber artist from New Jersey, USA. She received her BFA from the School of Visual Arts, New York City in 2014. She creates installations and sculptures dealing with duality, interaction, and reaction. Being a first generation American from a Venezuelan family, Andrea has often struggled to identify with either culture. Most of the work is made of fiber and woven in some way. The process of weaving is about joining, combining, and intertwining different materials together to make one final product. The materials used typically symbolise womanhood, struggles of identity, and relationships. Andrea Garcia Vasquez allows for viewers to interact with her pieces. The purpose of allowing the viewer to interact with the work breaks boundaries, not only between the art as an object and the spectator, but also, between the viewer and social constructs. The processes in which the works are created and the way in which the works are experienced, attempts to unmask the demand for nature, self, reflection, and meditation in modern day society. 

Chilean artist, Catalina Bauer was born in Buenos Aires, Argentina in September of 1976. She studied Fine Arts in the Universidad Finis Terrae in Santiago, Chile and obtaining a bachelor´s degree after which she attended the Universidad de Chile pursuing a master in Fine Art. Catalina Bauer lives and work in Santiago de Chile, since 2009 she has developed with four other chilean artists Taller BLOC, an artist-run space that has a very successful Tutorial Program. Bauer has also participated in many national and international projects and exhibitions, such as; “Techtonic Shift, Contemporary Art from Chile, from The Juan Yarur Collection”; Phillips de Pury &Company, Howick Place, London, U.K.. “Rewriting world”, IV Biennale of Contemporary Art in Moscow, Moscow, Russia, "Material Ligero", an itinerant project of exchange with the BLOC group: Margarette Lawrence Gallery, Melbourne, Australia in 2009 and AMA Museum, Washington DC, USA in 2011, “While is possible”, House of the Americas, Madrid, Spain in 2010. In 2007 Bauer won a state scholarship that allowed her to do a three month residency at the Anthropology Museum of Xalapa in Mexico. She has also participated in an Artist Residency at Gasworks, London in 2011, and in 2012 she was invited to develop a project with the Participation Programme of the same institution.

 Turgut Mutlugöz is born in Switzerland. He lives and works in Istanbul, Turkey. He complited his Bachelor’s and Master's degree at Mimar Sinan Fine Arts University, Painting Department, Istanbul. His Solo Shows took place at in 2012 at Mabeyn Art Gallery and in 2011 at Harmony Art Gallery in Istanbul.

Jinhee Park is born 1984 in Seoul. Currently lives and works in Berlin, Germany. "My painting is visualizing irritated nerves, stimulated by the restless vibration between digital virtual reality and actuality. The works are struggles in a destructive system but yet a ludic and ecstatic dance, constantly seeking tangents. The tentacles wander aimlessly across hyperbolic space, they intertwine with others and also remain self-fulfilling."