Wunna Aung


Term: May – July 2022

Wunna Aung (b.1978) was born in Yangon, Wunna Aung has lived all his life in the capital. Creativity for Wunna is an act of crossing aesthetic and cultural frontiers and genres. In other words, his multifaceted oeuvre has consistently shown his ability to trespass cultures, notably by crisscrossing the ancient culture of Myanmar with his iconic Pop paintings. An examination of such a concept leads fairly directly to the relationship between contemporary art and material culture. As much as Wunna is engrossed in popular culture, he is equally fascinated by personalities that have shaped Myanmar’s history – both by their symbolic nature and their vestiges of human existence. The dynamics of such representations lie in the paintings’ potential, where his working process is more like a painted collage. Instead of incorporating external elements into the picture, however, he creates layers for visual textures. A member of the ROAR (Release of Artistic Rage) group, Wunna Aung is a regular participant in urban art activities in Yangon. Amongst notable exhibitions he has participated in recently are: Art + Plug Season One to Eight (2013-20) Exhibitions, Rendezvous II: South East Asia Urban Art Event (2013), and Un Leashed (Myanm/art) (2017), R0c And Roll (Myanm/art)(2016), Myanmar New Wave Pop Art Revisited (Intersection Gallery, Singapore)(2017), Playing Time and Space (Intersection Gallery, Singapore)(2019), S.E.A. Focus 2019 (Singapore) and All Too Human (Myanm/art) (2022).

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